Thursday 23 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Shadow of no doubt


Enjoying the success of Confess, Twin Shadow is certain to put his hard-partying ways behind him ... well, mostly.

Joshua Boydston September 5th, 2012  

Twin Shadow with Niki & the Dove
9 p.m. Tuesday
Opolis
113 N. Crawford, Norman
opolis.org
820-0951
free

Photo: Alex John Beck
George Lewis Jr. — the New York City-based New Wave musician who performs as Twin Shadow — is in a different place than he was in the time surrounding the release of his 2010 debut, Forget. Touring behind that record found him abusing drugs, canceling some shows and waking up in the hospital on more than one occasion.

This time, he promised, will be different.

“I’m trying to focus more on being able to really play the fuck out of the shows. I want to give all of my energy to the show, and not so much to partying or being stressed,” Lewis said.

“Well, I’ll still party and bullshit.”

Those sometimes self-destructive experiences, along with a motorcycle accident Lewis suffered almost 10 years ago, helped inspire what would become his sophomore effort, Confess. But Lewis said the wreck has received undue focus.

“What got lost is that what this record is about and what I want people to think about is that music is a place for me to tell my stories, a way for me to communicate with human beings and to share love,” he said. “I’m grateful to be doing that.”

Released in July, Confess comes just a year and a half after the critically acclaimed Forget. Even with added attention (read: pressure), Twin Shadow rose to the occasion.

“If you see yourself failing, you’ll just kind of fail. I made the record really soon. The label wanted me to wait, but I didn’t want to sit there and think about it,” Lewis said. “That can sometimes be the problem: people waiting forever to do it. They’re afraid of failing and losing an audience. The fact that this record is outselling the first makes me feel great.”

Creatively, Lewis is firing on all cylinders. 2012 has seen the release not only of Confess, but also his debut novel, The Night of the Silver Sun.

“It’s so different I can barely talk about it,” Lewis said. “Writing a song is all about simplifying language, taking a myriad of ideas and crunching it down to 40 words. Writing a book is the opposite: You need to describe everything.”

He’s also found time to craft an accompanying short film. About a motorcycle gang in the future, it will play as a series of music videos for Confess’ singles. The first, “Five Seconds,” debuted in Times Square.

All have combined for a banner year for Twin Shadow, even if Lewis hasn’t quite figured out the magic formula.

“All I know about success is that if you’re honest and believe in what you do, people are attracted to that,” he said. “I can’t say what makes people love music or what makes one album more successful than another, but I do believe in that honesty.”


 
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