Wednesday 19 Jun
 
 

Kanye West — Yeezus

Try as you might, but there’s no escaping Kanye West. Turn on the TV, radio, computer — hell, take a stroll downtown and you might see his mug projected on the side of a building. It’s an undeniable fact of life in 2013: Kanye West is bigger than Buddha, Krishna and The Beatles (today, anyway) and he’ll be the first to let you know about it.
06/18/2013 | Comments 0

John Moreland — In the Throes

With the soul of a poet and the look of a Sons of Anarchy extra, Tulsa’s John Moreland has been gifted the sort of gravely, booming voice that does Bruce Springsteen proud and a similar understanding of the universal human experience. It’s made for some fantastic records — both as a solo artist and with his dissolved Black Gold Band — and In the Throes is his best yet.
06/19/2013 | Comments 0

Jumpship Astronaut — Lights Burn Out

Oklahoma has never been the haven for electronic rock music that it is for country, folk and, as of late, psychedelic pop, but from the sound of Lights Burn Out, Oklahoma City upstart Jumpship Astronaut seems intent on changing that.
06/12/2013 | Comments 0

Various artists — Reaching Out

Like so many Oklahomans, the local music scene has responded with generosity and grace in the wake of last month’s tragedy in Moore. In the weeks since, droves of local musicians have banded together for benefit concerts and radio marathons to raise funds for the relief effort, and with extraordinary results.
06/04/2013 | Comments 0

Progress in Color — Get Well

It’s been a long, bumpy ride for Glenpool’s Progress in Color, which saw a record deal with Epic evaporate before even one record could come of it, but it’s led the outfit to where it was supposed to be.
06/04/2013 | Comments 0
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Music

Depth test


After personnel changes, Norman shoegaze act Depth & Current began experimenting with songs that are short, but far from shallow.

Joshua Boydston September 12th, 2012  

Depth & Current with Nervous Curtains and Brother Bear
9 p.m. Thursday
Opolis
113 N. Crawford, Norman
opolis.org
820-0951
$7

Photo: Laura Raczkowski
Owning a recording studio and heading a small, Oklahoma record label gives Chris Harris, front man of local shoegaze three-piece Depth & Current, a certain perspective on what it takes to survive in the world of independent music: Namely, adapt or die.

To that end, the Norman-based “nightmare-pop” band decided to include a download code for its debut album of 2011 with the purchase of an upcoming 7-inch single, despite having plenty of physical discs left to push.

“Nobody gives a shit about CDs,” Harris said. “It’s hard to sell them for $5, even. This is a way for us to get our full-length out to more people than we would have.”

2012 has been a year full of changes for the band, both in how it approaches releasing music and in terms of personnel. Tommy McKenzie — also of The Boom Bang and Chrome Pony — hopped into the lineup, and soon enough, drummer Scott Twitchell departed.

That leaves the band without a new drummer, but no problem: The group forges ahead, and the current Current can be seen in action Thursday night at Opolis.

“I had started demoing songs with drum machines, and I was kind of getting attached to those,” Harris said. “We thought we’d have a practice and just see how it felt with the beats. It became obvious that it felt how the band should feel with the direction we were heading. It suits our sonic personality perfect.”

Although that direction had been changing even before the personnel change, the floodgates opened soon after with a new Depth & Current emerging from the storm.

“In the past, we’ve always had these long songs. The writing process with those is easy for some bands: Smoke a joint, play for 30 minutes, pick the best nine, and that’s an epic jam,” Harris said. “For us, making those long songs felt torturous, coming up with so many parts that you like. There’s three parts you love, and two parts that are just meh.

“We kicked around this idea of doing one short pop song and seeing what happened, actually crafting a song with only good parts.”

So Harris holed up in his Hook Echo Sound studio, and out came a new man.

“I came into work on these demos I had, and I just cut all the parts that I didn’t like,” he said. “I kept doing that, and it felt so liberating. Now I love every part. I had long committed to the idea of forcing things to work, but you can make way better music when you aren’t forcing anything. We have a better path to making good music from here on.”

The short cuts give Depth & Current the chance to do something few others have had the chance to: Put a full-length album on a format reserved for EPs. The end result is something the trio hopes to see released sometime next year.

Darwin would be proud. “The songs are only about a minute and a half long. I can take eight of those songs and put them on a 7-inch record and have a full-length record on what would normal be a single,” Harris said. “The whole album right there, and that’s what we are going to do.”

Hey! Read This:
The Boom Bang interview    
Chrome Pony interview  



 
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