Thursday 23 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Dillard’s exclusive


The song 'So Long' marks the start of a hopefully lengthy recording career for OKC jazz-pop songstress Tara Dillard.

Susannah Waite September 19th, 2012  

Tara Dillard with Amy Downes and Molly Blanton
9:30 p.m. Saturday
Picasso Cafe
3009 Paseo  
602-2002 

Give Tara Dillard a spotlight and a stage and she is set.

Earlier this summer, the Oklahoma City-based singer-songwriter released her first single, “So Long,” on iTunes and Spotify, with plans to release a full EP soon.

“I’ve just released the one single right now,” she said. “The whole EP project I’m hoping to finish by the end of the year. I just didn’t want to wait that long to get the song out.”

Dillard is currently studying at ACM@UCO, where she worked closely with Mitch Bell, the school’s coordinator of academic operations for music performance, to produce that single of jazz-infused pop.

“We’ve been sitting down and writing a lot and I’ve been bringing music in to him,” she said. “I had been working on some things and this just kind of came up out of nowhere. So I called Mitch the next day and said, ‘I have something you might like,’ and he listened to it and said, ‘I have goose bumps.’” Dillard is optimistic about what its release means for her career.

“I’ve been more excited over this song than any other works I’ve done,” she said.

The Mustang native never felt there were any other options for her beyond music, so she never even thought to pursue anything else.

“I’ve just always sung and I’ve always pulled inspiration from artists that I admire,” she said. “I’m a huge sucker for lyrics, and some of my biggest influences have been the people who have been really, really honest lyrically. It’s artists like that who make me feel like I have to do what I love to do, and hopefully, I can make those same impacts on other people.”

Dillard is a regular fixture around town, singing and playing piano at the Skirvin Hilton. On Saturday, she’ll appear at Picasso Cafe as part of The Paseo Sessions showcase.

“I’m lucky to consider myself a living, working musician, so if I can go play three hours at a bar, that’s great,” she said. “It’s all been a really good experience and a huge blessing.”

 
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