Thursday 31 Jul
 
 

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday

Opolis

113 N. Crawford Ave., Norman

opolis.org

447-3417

$7

07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.

bluedoorokc.com

524-0738

$15

07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0
Home · Articles · Reviews · Pop · Wild Nothing — Nocturne
Pop
 

Wild Nothing — Nocturne


Joshua Boydston September 18th, 2012

As clichéd as it is easy, it is nice to stop and smell the roses once in a while. Nocturne is the aural equivalent.

While it’s great to dive into heady, groundbreaking stuff or brilliantly crafted pop songs, it’s just as nice to enjoy something as beautiful and simple as the music that Jack Tatum is writing as Wild Nothing, and while 2010’s Gemini was a great listen, he’s made leaps and strides heading into Nocturne.

It’s easy listening that doesn’t put you to sleep, but makes you just as comfortable. Songs like “Shadow” and “Through the Grass” play like those seconds between being awake and falling asleep — microbursts of nursery rhymes, dreams and plush comfort.

Much like Beach House’s Bloom, Nocturne is inflicted with each song sort of bleeding into the other; also like Bloom, they are all so good that it doesn’t matter. The peppier “This Chain Won’t Break” is the exception, a smart and sophisticated pop track that I haven’t been able to shake.

Whether or not Nocturne is deemed the best album of 2012 by year’s end, there’s little doubt that it will go down as the prettiest. —Joshua Boydston


 
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