Thursday 24 Jul

Escape from Tomorrow

With Escape from Tomorrow, one fears the story behind the movie would loom larger than the movie itself. Luckily, that is not the case. After all, it opens with a decapitation on Disney World’s Big Thunder Mountain Railroad roller coaster.
05/06/2014 | Comments 0


William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
04/23/2014 | Comments 0

Broadchurch: The Complete First Season

Welcome to the coastal resort of Broadchurch, population … oh, who can keep track, what will all the corpses? Yes, Broadchurch is yet another British television procedural involving the search for a murderer in a quaint little town, just like the limited series The Fall and Top of the Lake.
04/23/2014 | Comments 0

Paranormal Activity: The Marked Ones

Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
04/23/2014 | Comments 0

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0
Home · Articles · Movies · Science Fiction · Looper
Science Fiction


It's a real time killer.

Phil Bacharach October 2nd, 2012

Hurray for movies with ideas. In Looper, writer-director Rian Johnson crams in so many, it initially looks as if this sci-fi actioner might collapse under the weight of them all. Dystopian society, time travel, telekinesis, gangland killings — there are a lot of ground rules to keep track of here, much of them conveyed through the wobbly device of a narrator.

But then something remarkable happens: Looper plays fair with its own mind-bending construct. Balancing muscular action with the intellectual approximation of an M.C. Escher drawing, Johnson delivers on the considerable promise of his previous films, Brick and The Brothers Bloom.

We start in 2044, where time travel is about 30 years away, but still figures prominently in the lives of “loopers,” assassins hired by a futuristic crime syndicate to kill and dispose of targeted baddies transported from the future.

It’s an insidiously efficient system: A looper waits in the middle of nowhere for a hooded victim to materialize from thin air, only to promptly blast the poor bastard to smithereens. And when it’s time to clear up loose ends, the looper is sent his future older self to kill.

Joseph Gordon-Levitt (The Dark Knight Rises) is Joe, a looper who makes the costly mistake of failing to whack his older self (Bruce Willis, The Expendables 2) when he is supposed to. But old Joe arrives in 2044 with his own agenda to stop a certain future from taking shape, a quest that eventually involves a tough single mom (Emily Blunt, The Five-Year Engagement) living in a farmhouse.

Looper is fiercely inventive, buoyed by strong performances and an intriguingly complex screenplay. In the rarified air of great time-travel flicks, it deserves a place alongside The Terminator, Back to the Future and 12 Monkeys.

Hey! Read This:
The Dark Knight Rises film review   

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