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Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
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Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
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Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
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Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0
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Whitey power


Whitey Morgan and the 78’s are looking to raise a little hell. Their vehicle? Old-school country — but don’t you dare call it ‘outlaw.’

Louis Fowler October 24th, 2012  

Whitey Morgan and the 78’s
9:30 p.m. Friday
Wormy Dog Saloon
311 E. Sheridan
wormydog.com
601-6276
$5

Photo: Clay Abbott
While many critics are quick to label Whitey Morgan as part of the new breed of “outlaw country,” a movement begun in the 1970s by the likes of Merle Haggard and Waylon Jennings, he is just as quick to put that dog down.

“I don’t think there’s really any outlaw country these days. Outlaw country means going against the grain, and the head motherfuckers that are paying you to record these albums,” Morgan said. “Waylon and them, they were outlaws because the record companies wanted them to do one thing, they refused and did it their way.

“Nowadays, these guys claiming to be outlaw ... well, nobody’s trying to pay them to record an album. It’s phony. A lot of these guys just look like they’re trying too hard.”

Either way, the decidedly non-outlaw Morgan and his band, the 78’s, will tear up Bricktown’s Wormy Dog Saloon on Friday with their special brand of honky-tonkin’, beer-drinkin’ good-time tunes, mostly because, according to Morgan, “I’m just not very good at writing downer-type songs.”

Hailing from the economically depressed city of Flint, Mich., is not the inspiration for his music. That comes from a far deeper place.

“I play what I play because of my grandpa, who came up from Kentucky and taught me how to play guitar when I was a kid,” he said. “Back then, there were a lot of Southerners up here. People always say, ‘I didn’t know there were any hillbillies in Michigan,’ and I always tell ’em, ‘Who the hell do you think built all them cars?’” Country wasn’t Morgan’s first love.

After years of dabbling in punk, it took the death of his grandfather to point him toward country music as a career.

“I inherited his guitar and all his records,” Morgan said. “It just made more sense for me.”

Since picking up that guitar, he has toured and recorded nonstop, mostly thanks to a strong work ethic that won’t allow him to sit around the house. That said, it’s almost impossible for old-school country acts like him to compete with glossy, country-pop crossover acts like Taylor Swift.

“I’ve been in this long enough and I’ve met a lot of players in the game, so I know how the big machine works,” Morgan said. “I’ve come to accept it and I’ve moved on. There’s nothing I can do about it.”

While he accepts that he may not ever make it to quadruple-platinum status, the one thing he can’t accept is all the “pissing and moaning about how bad country radio is.”

“I’ll see it on Facebook or wherever, and they’ll say, ‘There’s just no real country music anymore.’ I just want to say to them, ‘Wake the fuck up!’ It’s everywhere; the problem is they’re not handing it to you on country radio. You actually have to go out and look for it. If you really give a shit about it that much ... eventually you’ll find it.”


 
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