Friday 24 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Reid all about it


No longer nervous about performing, Norman singer-songwriter Kyle Reid even takes his love of music to bed.

Joshua Boydston October 24th, 2012  

Kyle Reid with Parker Millsap and John Calvin
10 p.m. Wednesday
The Deli
309 White, Norman
thedeli.us
329-3534
$5

Kyle Reid with Brother Gruesome, Depth & Current and Magnificent Bird
8 p.m. Saturday
Ampy Shanty
527 E. Main, Norman
754-1927
$5

Lots of guys get in trouble with their girlfriends for eating in bed. Norman singer-songwriter Kyle Reid was in the doghouse for building cigar-box guitars there.

“Sawdust would get everywhere, including in my bed,” he said. “It didn’t bother me very much, because the sawdust reminded me of the work I had done that day, but it drove my girlfriend crazy.”

If you think that sounds like the habit of someone obsessed with music, you’re correct. Since Reid’s time in the now-defunct JonBear Fourtet, the guitarist clocked hours playing with a lengthy roster of Oklahoma acts: Samantha Crain, John Calvin, Young Readers, Magnificent Bird, Chelsey Cope, Justin Bloss, Kierston White, Feathered Rabbit, Fiawna Forté, The Crescent Trio and CJ Greco.

“I have an addictive personality,” Reid said. “When I discovered my love for music at 16, I dove in and forgot about everything else.”

Naturally, he’s taken to performing solo to fill the time between playing with others and tinkering with his instruments.

At first, solo performance felt less natural than being in the background.

“The first time I ever performed my own music at an open-mic night, I was so nervous that I kept my eyes closed the whole time,” Reid said.

“As a result, I had no idea where the microphone was. I’m sure nobody could even hear me sing.”

Reid has gotten more comfortable onstage, and the time spent with others has helped inform his own songs.

“I learn from every band and every artist I play with,” he said. “My solo project is a chance for me to take all of the tidbits of musical knowledge I’ve gleaned from these creative minds and filter them through my own experience to create something myself.”

His debut, Sawdust in the Bed, the title of which was inspired by Reid’s bed habits, might be influenced sonically by his musical bedfellows, but in the deeper sense, it’s an internal study.

“The album is about being comfortable being uncomfortable, I guess, the way I somehow was comfortable in an itchy, sawdusted bed,” Reid said. “At the time I wrote it, I tried to embrace the side of me that acknowledges my darker, more selfish tendencies and hold them up as virtues. Being my first solo release, it is somewhat appropriately about being selfish.”

Hey! Read This:
Chelsey Cope interview  
Feathered Rabbit EP review    
Fiawna Forté interview    
John Calvin interview  
The JonBear Fourtet interview  
Samantha Crain interview    
Young Readers interview   


 
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