Wednesday 19 Jun
 
 

Kanye West — Yeezus

Try as you might, but there’s no escaping Kanye West. Turn on the TV, radio, computer — hell, take a stroll downtown and you might see his mug projected on the side of a building. It’s an undeniable fact of life in 2013: Kanye West is bigger than Buddha, Krishna and The Beatles (today, anyway) and he’ll be the first to let you know about it.
06/18/2013 | Comments 0

John Moreland — In the Throes

With the soul of a poet and the look of a Sons of Anarchy extra, Tulsa’s John Moreland has been gifted the sort of gravely, booming voice that does Bruce Springsteen proud and a similar understanding of the universal human experience. It’s made for some fantastic records — both as a solo artist and with his dissolved Black Gold Band — and In the Throes is his best yet.
06/19/2013 | Comments 0

Jumpship Astronaut — Lights Burn Out

Oklahoma has never been the haven for electronic rock music that it is for country, folk and, as of late, psychedelic pop, but from the sound of Lights Burn Out, Oklahoma City upstart Jumpship Astronaut seems intent on changing that.
06/12/2013 | Comments 0

Various artists — Reaching Out

Like so many Oklahomans, the local music scene has responded with generosity and grace in the wake of last month’s tragedy in Moore. In the weeks since, droves of local musicians have banded together for benefit concerts and radio marathons to raise funds for the relief effort, and with extraordinary results.
06/04/2013 | Comments 0

Progress in Color — Get Well

It’s been a long, bumpy ride for Glenpool’s Progress in Color, which saw a record deal with Epic evaporate before even one record could come of it, but it’s led the outfit to where it was supposed to be.
06/04/2013 | Comments 0
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Music

Full 'Circles'


Americana singer-songwriter Greg Reichel wants to tell you a story. It’s likely your story, too.

Louis Fowler November 7th, 2012  

Greg Reichel
6 p.m. Sunday
Grady’s 66 Pub
444 W. Main, Yukon
gradys66.com
364-8789

Americana artist Greg Reichel describes his music as “very real and soulful.” And while many singer-songwriters typically use such terms to describe their sound, Reichel believes he goes out of his way to prove it.

“I try to write with as much soul as I can, instead of just throwing a song together,” he said. “I approach a song — I take just about any kind of situation, something that has happened to me, or somebody else — and I try to make it very meaningful.”

With influences ranging from Todd Snider and Steve Earle to Ryan Adams and Townes Van Zandt, Reichel wants to create music that “tells stories” to which anyone can relate.

“Music is not only a getaway for myself, but for those who come out to see it,” he said. “I have a song called ‘My Morning Coffee,’ and I wrote it about my morning cup of coffee. When someone hears it, I want them to say, ‘Man, this is my morning cup of coffee. This is why I get up and went to work in the morning to put food on the table.’”

Born and raised in Blanchard — and currently living “outside of Dallas” — Reichel recently has poured every ounce of his soul into his latest release, Circles. In support of the album, he’ll perform Sunday at Grady’s 66 Pub as part of the Yukon venue’s Sunday-night Red Dirt Revival series.

Never passing up a chance to play around these parts, Reichel credited his Okie upbringing as influencing his music, as much now as then, especially when it comes to his outlook on the business.

“My family’s been involved in music for years, and it brought me to a higher knowledge of music than what other kids my age might have had,” he said. “By the time I actually got to Texas, I was already pretty aware of what Texas had to offer, as far as the music goes.”

This “higher knowledge” also helped him understand the differences between the music scenes on both sides of the Red River.

“We both have the same sounds in music, but the market in Texas is much larger, just because there’s so many more people,” Reichel said. “It’s not that Texas is better than Oklahoma, because I truly don’t believe that. It’s just that there’s just so much more music floating around.”

This overflow keeps him returning to Oklahoma, and more specifically, places like Grady’s.

“Oklahoma has less venues, but more people wanting to hear music. Texas has a lot more venues, but it’s hard to get a crowd going,” he said. “There’s 20 other guys on the exact same street doing what you are that night. People actually listen when I play here in Oklahoma. It’s really what inspires me to keep doing what I’m doing.”

 
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