Thursday 24 Jul

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Downtown Tulsa 

07/22/2014 | Comments 0

Mack truckin’

9 p.m. Friday 
Kamp’s Lounge 
1310 NW 25th St. 

07/23/2014 | Comments 0

Chevy cruisin’

Chevy Woods with Kevin Gates & more
9 p.m. Sunday 
Vibe Night Club 
227 SW 25th St. 

07/16/2014 | Comments 0

Rock steady

7 p.m. Saturday
Frontier City
11501 N. Interstate 35 Service Road
Free with park admission 

07/16/2014 | Comments 0
Home · Articles · Reviews · Country · Toby Keith — Hope on the...

Toby Keith — Hope on the Rocks

Louis Fowler November 28th, 2012

Sometimes, irony can come back to bite you on the ass.

For many years, on my late, lamented Colorado-based radio show, Damaged Hearing, whenever I felt like especially annoying the decidedly unpatriotic community-radio audience, I would sing along, loud and proud, to Oklahoma-born Toby Keith’s “Courtesy of the Red, White and Blue.”

Of course, the more I would sing along to the song, the more I committed it to memory, and it soon became my signature karaoke song. And then so did “I Love This Bar." And then “Beer for My Horses." And before I knew it, I was a full-blown, completely unironic, defend-his-music-to-the-death Toby Keith fan.

Let’s be honest: Toby Keith (and his songwriters) can write a damn catchy tune. Nearly every single gets stuck in your head as you hear it blasting on Ford Truck Spring Sell-A-Bration commercials.

On his 16th (!) studio album, Hope on the Rocks, the sustaining theme is drinking, drinking and more drinking. The surprisingly depressing title cut opens, playing like a Nashville variation of Lou Reed’s “Walk on the Wild Side,” with a late-shift bartender listing off the various sexual sins and financial debacles of his customers.

“The Size I Wear” is a about a waitress who is, apparently, the size he wears, presumably in the throes of sexual intercourse. “I Like the Girls Who Drink Beer” is self-explanatory and hyper-hooky, making me see his point of view in the values of ladies who overimbibe on brews, while “Haven’t Had a Drink All Day” make me feel like a total jerk for not being a pot-smoking truck driver.

Finally, “Cold Beer Country” would’ve been the perfect good-time summer drinkin’ song if Keith didn’t already have one with “Red Solo Cup.”

Hope on the Rocks is no masterpiece, but it’s as fun as sitting in your garage, downing an ice-cold sixer while half-working on that old truck as the hot, half-naked cowgirl poster on the wall tips her Stetson knowingly to you.

Of course, this is nothing I have ever done personally, but, you know, the spirit is there, and it’s the spirit that matters. Pour me another one, Tobes. —Louis Fowler

Hey! Read This:
Chicken-Fried News: Cup’ of excellence
Chicken-Fried News: Feed’n y’all
Chicken-Fried News: Sir Toby   

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