Friday 24 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Unique improv concert series brings together atypical instruments


Doug Hill March 20th, 2008

No instrument or device is off limits to "sound artist" Jon Mooneyham, the one-time KGOU-FM DJ and Flaming Lips drummer who began organizing the abnormal "White Walls" concert series last year. Dise...

Whitewalls

No instrument or device is off limits to "sound artist" Jon Mooneyham, the one-time KGOU-FM DJ and Flaming Lips drummer who began organizing the abnormal "White Walls" concert series last year.

Disenchanted with the rock club scene, he contacted Norman's Mainsite Contemporary Art gallery and proposed a regular improvisational music series utilizing a rotating collective of musicians. Mooneyham will again narrate the latest installment at 7 p.m. Saturday.

"I'm the curator and want this to be taken seriously, which is one reason we're having it in an art gallery," Mooneyham said. "But the rule is, the White Walls series doesn't have rules."

INSTRUMENTATION
Mooneyham admitted that someone used to structured song formats might be jarred by the White Walls series, which he said can be an acquired appeal.

"It's somewhat of a tightwire act: Sometimes you fall off. But when it works, it's awesome," he said. "It's definitely not a jam-band aesthetic. I don't mind being dictatorial about that. If you want a drum circle, get a bag of pot and go somewhere else."

Each show is a unique arrangement and doesn't center around a specific tempo, melody or groove, Mooneyham said. Saturday's performance will feature an interesting mix of instruments, including:
" turntables,
" a trombone and
" an Electronic Valve Instrument, an analog synthesizer from the Seventies which is played like a trumpet.

"It's more about communication or telepathy between the musicians, and it's tricky," he said. "Much harder than it appears, and everything is unique to that moment." "Doug Hill

 
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