Thursday 23 May
 
 

Iron Aidan

Aidan Carroll Quartet
7 p.m. Wednesday, May 29
University of Central Oklahoma Jazz Lab
100 E. Fifth, Edmond
ucojazzlab.com
359-7989
$5-$7
05/22/2013 | Comments 0

Beat street

Lucky Date with Kids at the Bar and Crystal Vision
9 p.m. Wednesday, May 29
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$20
05/22/2013 | Comments 0

Sun rises

Sunny Side Up with The Last Slice and Classy San Diego
8 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$8
05/22/2013 | Comments 0

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0
Home · Articles · CDs · Rock · The Grown Ups — Dark Hearts
Rock

The Grown Ups — Dark Hearts


Zach Hale February 27th, 2013

It's pretty clear that The Grown Ups know what good music sounds like. When the band ceases its emulation of good music and lets its creativity flow naturally, the Oklahoma City collective's new album, Dark Hearts, offers flashes of genuine talent.

grownupscd

Take "Catalina," for example: the consummate portrayal of the group’s strengths. The song's first half consists of a hushed guitar strum, sparkling piano and a steady, mid-tempo rhythm to guide them. It's morose and contemplative in a way that's almost reminiscent of the dampened grandeur Modest Mouse perfected on The Moon & Antarctica.

Yet at the track's halfway point, as if to fend off the melancholy, "Catalina" is reborn as a jovial, synth-driven dance number with an instantly infectious hook. The left turn represents not only a stark shift in dynamics, but also the originality that's largely unexplored throughout Dark Hearts’ remainder.

Each song here is easily discernible from the others. Yet it's clear the band made a strident effort to mix things up from track to track — an admirable, but ultimately contrived endeavor. Some take on a darker, more industrial temperament ("Beauty and the Beast," "Never Get Out"), and these are the moments that distract from and, frankly, flat-out ignore The Grown Ups’ strengths.

Ironically, the more lighthearted melodies offer the most mystique — moments when The Grown Ups’ talent and sincerity are plainly evident. Ultimately, however, Dark Hearts sounds like a band still in search of its true self. —Zach Hale

 
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