Wednesday 16 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Home · Articles · Music · Music · SXSW 2013: Tallows
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SXSW 2013: Tallows


When experimental rock’s Tallows takes the stage, don’t fret.

Stephen Carradini March 13th, 2013

Fret-tapping is an alternate way of playing guitar that creates very percussive rhythms out of melodic sounds. Instead of strumming each note, the guitar player taps a finger from the fretting hand against each note on the fretboard. The mesmerizing rapid hand movements are a neat side benefit.

tallowsTallows - Photo: Stephen Carradini

Oklahoma City band Tallows uses this technique frequently and to great effect. During the song “Small Talk” last night at The Buffalo Lounge, two guitarists and the bassist each hammered away at their fretboards. The resulting intricate indie rock was impressive in composition and performance.

Tallows’ music includes elements of charming indie pop, fast ’n’ loud indie rock and ambient electropop. They occasionally mesh these together, but more often set the sections next to each other for contrast. The band thrives off these interchanges, playing up the rhythmic and melodic differences between the sections.

Hearing the band stop on a dime and zoom off in another direction was an electrifying experience for me and the rest of the packed-house crowd. The perky, youthful tenor of the group’s lead vocalist meshes perfectly with this diverse sound, delivering sweet melodies one moment and leading hollered group vocals the next.

Their dense, rhythmic, involved sound was a ton of fun, and I look forward to hearing much more from Tallows in the near future. —Stephen Carradini



 
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