Wednesday 23 Jul

Chevy cruisin’

Chevy Woods with Kevin Gates & more
9 p.m. Sunday 
Vibe Night Club 
227 SW 25th St. 

07/16/2014 | Comments 0

Rock steady

7 p.m. Saturday
Frontier City
11501 N. Interstate 35 Service Road
Free with park admission 

07/16/2014 | Comments 0

Narrative verse

L.T.Z. with Jabee, Frank Black & more
8 p.m. Saturday
The Conservatory 
8911 N. Western Ave. 

07/16/2014 | Comments 0

Dancing in the Twilight

Sunday Twilight Concert Series with The Wurly Birds
7:30 p.m. Sunday
Myriad Botanical Gardens 
301 W. Reno Ave. 

07/16/2014 | Comments 0

Next big thing

As far as songs go, few prove as challenging to sing as our national anthem.

It’s a technically demanding tune from first note to last, to be sure, beginning with a low bellow that quickly soars toward star-punching high notes, eventually swelling to a show-stopping crescendo that even the most seasoned performer can have trouble mastering.

07/09/2014 | Comments 0
Home · Articles · Reviews · Rock · Skating Polly — Lost...

Skating Polly — Lost Wonderfuls

Zach Hale April 30th, 2013

Skating Polly is a different type of novelty act. The Oklahoma City-based duo of Kelli Mayo and Peyton Bighorse has accrued an inordinate amount of interest for such a young band, ascending to the top of the local ranks largely because of their age: 13 and 17, respectively.


But it’s not that these girls are so young, or even that they’re so good at such a young age. Rather, what makes Skating Polly — and its sophomore LP, Lost Wonderfuls — such an anomaly is how brazenly Mayo and Bighorse embrace their youth, weaving a playful, seemingly innocuous sense of melody through unabashedly abrasive punk.

Chief among the group’s impressive fan base is Exene Cervenka, co-vocalist of the seminal Los Angeles band X, who offered to produce the record after hearing some demos through a phone speaker (which is pretty damn punk). Even under the direction of such an erudite stateswoman, these 12 tracks sound like the creation of two fire-breathing stepsisters mashing their toy guitars and pianos in a sea of dismembered Barbie dolls.

Because Mayo and Bighorse seem so guilelessly unbridled, it allows their creativity to run rampant and untamed, and in a way that captures the manic urgency of angst-driven teens re-imagined as hypnotic, three-chord lullabies. The two thrive on this delicate balancing act, and it’s precisely the reason they captivate.

Whereas most novelty acts rely on contrived gimmickry, these girls are just out there being themselves, and Lost Wonderfuls is all the more punk because of it. —Zach Hale

Hey! Read This:
Skating Polly interview  

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