Friday 18 Apr
 
 

Odyssey of the mind

Jacob Fred Jazz Odyssey 

with Culture Cinematic and ADDverse Effects

9 p.m. Friday

Twisted Root Gallery

3012 N. Walker Ave.

twistedrootgallery.com

208-4288

$10

04/16/2014 | Comments 0

Frndz with benefits

Boyfrndz with Bored Wax and The Hitt Boyz

9 p.m. Sunday

Blue Note Lounge

2408 N. Robinson Ave.

thebluenotelounge.com

600-1166

$5

04/16/2014 | Comments 0

Saddle up

Horse Thief with Deerpeople and Pageantry

8:30 p.m. Friday

ACM@UCO Performance Lab

329 E. Sheridan Ave.

acm-uco.com

974-4700

$5-$8

04/16/2014 | Comments 0

High heaven

Glow God with Weed, Feral Future and Power Pyramid

7 p.m. Friday

Capitol House

$5

04/09/2014 | Comments 0

Darkened tones

Chevelle with Nothing More and Middle Class Rut

6:30 p.m. Monday

Diamond Ballroom

8001 S. Eastern Ave.

diamondballroom.net

677-9169

$24-$29

04/09/2014 | Comments 0
Home · Articles · CDs · Rock · Skating Polly — Lost Wonderfuls
Rock
 

Skating Polly — Lost Wonderfuls


Zach Hale April 30th, 2013

Skating Polly is a different type of novelty act. The Oklahoma City-based duo of Kelli Mayo and Peyton Bighorse has accrued an inordinate amount of interest for such a young band, ascending to the top of the local ranks largely because of their age: 13 and 17, respectively.

skatingpolly-lost

But it’s not that these girls are so young, or even that they’re so good at such a young age. Rather, what makes Skating Polly — and its sophomore LP, Lost Wonderfuls — such an anomaly is how brazenly Mayo and Bighorse embrace their youth, weaving a playful, seemingly innocuous sense of melody through unabashedly abrasive punk.

Chief among the group’s impressive fan base is Exene Cervenka, co-vocalist of the seminal Los Angeles band X, who offered to produce the record after hearing some demos through a phone speaker (which is pretty damn punk). Even under the direction of such an erudite stateswoman, these 12 tracks sound like the creation of two fire-breathing stepsisters mashing their toy guitars and pianos in a sea of dismembered Barbie dolls.

Because Mayo and Bighorse seem so guilelessly unbridled, it allows their creativity to run rampant and untamed, and in a way that captures the manic urgency of angst-driven teens re-imagined as hypnotic, three-chord lullabies. The two thrive on this delicate balancing act, and it’s precisely the reason they captivate.

Whereas most novelty acts rely on contrived gimmickry, these girls are just out there being themselves, and Lost Wonderfuls is all the more punk because of it. —Zach Hale

Hey! Read This:
Skating Polly interview  



 
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