Three volumes in and A Blackwatch Christmasyet again nabs a spot on the nice list, showcasing a smattering of Oklahoma artists with charming new holiday standards. This year shakes up the status quo with two themed halves — serving up dusty, countrified Christmas ditties on the Holly-Tonk side and soulful hip-hop carols with Jingle Beats, both with joyful returns.
It has been a relatively rocky road for Weatherford alt-country outfit Green Corn Revival, which has seen its share of highs (acting as backing band for rockabilly icon Wanda Jackson) and lows before an (amicable) split in the road led half of the original lineup to forming Honeylark.
Oklahoma is quickly becoming the indie Christmas music capital of the world, it seems, with yearly compilation albums featuring everyone from Stardeath and White Dwarfs to Graham Colton. So it makes sense that Colourmusic — freak-poppers hailing from Stillwater — would craft a full album of original, offbeat holiday tunes themselves.
The Oklahoma City metro has a thriving garage rock scene. With seasoned acts like Broncho and Copperheads carrying the modern-day torch, the way has been paved for a flock of gritty, young, guitar-centric acts. But nascent Norman trio Poolboy has a knack for riotous hooks that few of its contemporaries can boast.
Boyz II Men, II(1994) I believe this was the first CD
that I bought with my own allowance at Duncan’s local music store. It’s
another really fun, soulful album — vocally, harmonically, musically
outstanding. I remember lying on my bedroom floor and studying the
lyrics, mesmerized for hours. I loved the singles, but my favorites were
the opening track, “Thank You,” and the last track, their gorgeous,
soul-grabbing rendition of The Beatles’ “Yesterday.” I was just learning
about harmony at the time, and loved listening to their rich, thick,
Nichole Nordeman, Wide Eyed(1998) This woman will forever be one of the greatest singer/songwriter/pianists on the planet. Her honest lyrics, hauntingly moving chord choices and beautifully pure voice elevate your soul to a new, better place than you were before. It was in high school that I discovered Christian music, and Nichole was a huge reason. I would
Laura Leighe Photo: Travis Clancy
listen to every song, practically without skipping, which you cannot say about many. Nichole was one of the main artists who inspired me to play piano and write songs. I was too busy with cheerleading, show choir and dancing to sit down and practice piano — I’m better by ear — but it was over once I got one of her sheet music books.
OneRepublic, Dreaming Out Loud(2007) Ryan Tedder is one of the most talented vocalists, songwriters, producers and musicians alive. Aside from his own tracks, he’s aided with production and background vocals on countless others’ hits. My then-boyfriend/now-husband, Trent, was interning on the final season of MTV’s TRL when he met them and gave me this record. I was absolutely blown away. The first track is my favorite, “Say (All I Need).” Its opening
ethereal, chopped-up, almost chant-like vocals; Ryan’s prominent,
hip-hop-influenced clap drum loops; and his amazing vocal lines convict
my heart more than almost any Christian album ever did. Amazing.
Photo: Travis Clancy
Mariah Carey, Greatest Hits(2001) These
songs were definitely the soundtrack to my childhood! However, her
voice, the songs and the production were so first-class that when I go
back and listen now, they’re timeless. Carey’s music was so much fun, a
lot of later pop doesn’t measure up. Throughout the album, Mariah’s
voice soars above and below and all over the place — seamlessly,
effortlessly and beautifully. In my book, she and Whitney Houston will
never be beaten vocally. My favorite track, “Fantasy,” uses a sample
from Tom Tom Club’s “Genius of Love,” and is an incredible example of an
already infectiously feel-good groove made into a complete masterpiece
of a pop song. In my single, “Find Me,” we sampled “Mr. Sandman” by The
Chordettes, in hopes of doing the same.
Bruno Mars, Unorthodox Jukebox(2012) Bruno
Mars is making some of today’s best music. I was living in L.A. when a
lot of what you heard on pop radio was all the same: hip-hop,
often-generic club hits — great to dance to, but not what I always want
to hear in my car. When Bruno hit the airwaves, it was the perfect mix
of the piano pop I had been writing, and I said, “I could make music
like this!” I loved his debut album, but this new one is even better.
I’m a sucker for pretty harmonies, and he’s got ’em. “Locked Out of
Heaven” has such a catchy throwback beat; “When I Was Your Man” is one
of the most soulful, stripped-down piano ballads to make it on the radio
since Billy Joel, and “Treasure” brings back the joy of the Donna
Summer disco days. He’s inspired me to not suppress great music for the
sake of what sells, but instead to package great music in a way that’s
appealing to the masses.