Monday 28 Jul
 
 

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0

Mack truckin’

Swizzymack
9 p.m. Friday 
Kamp’s Lounge 
1310 NW 25th St. 
lndrnrs.com 
819-6004 
$10-$15 

07/23/2014 | Comments 0

Chevy cruisin’

Chevy Woods with Kevin Gates & more
9 p.m. Sunday 
Vibe Night Club 
227 SW 25th St. 
$20-$40 

07/16/2014 | Comments 0

Rock steady

Tesla
7 p.m. Saturday
Frontier City
11501 N. Interstate 35 Service Road 
frontiercity.com
478-2140
Free with park admission 

07/16/2014 | Comments 0
Home · Articles · Reviews · Jazz · Maurice Johnson — Peace, Love...
Jazz
 

Maurice Johnson — Peace, Love & Jazz


Louis Fowler June 25th, 2013

A swanky, ’60s cocktail vibe permeates Oklahoma City jazz guitarist Maurice Johnson’s Peace, Love & Jazz, right from the opening track, “In and Out,” which could have been the theme song to a heist caper starring Steve McQueen and Natalie Wood. It sounds like Burt Bacharach meets George Benson, with smooth melodic grooves hinting at just a little bit of underlying danger.

“Hello My Brother” has a sweet flute interlude that, contrary to the title, leaves me wanting to say, “Hello, my lover,” as I lay her down on a down-filled bed. The Spanish-flavored “A Taste of the Sun” follows this idea up nicely with an aural frolic on a secluded Mexican beach, if only to wash yourself off from the previous song’s bout of lovemaking.

Other standouts include the silky “Let Me Touch Your Life” and “Some Wine and Conversation,” both allowing Johnson’s nimble fingers to pluck his strings with the prowess of a jaguar on the prowl, slinking and gliding in the dark, without being too intrusive or outstaying its welcome.

This disc is the easiest of easy listening, with a retro-cool sound that’s rare these days, as far too many jazzmen seem to be going for Starbucks-friendly drivel instead of mentally creating lush getaways to exotic locales. Book me two tickets. —Louis Fowler



 
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