Thursday 24 Jul
 
 

Planting the seed

“We think about it as a team,” she said. “Watching so many bands for so long and standing in the audience, I was like, ‘I want to try that.’ After playing by yourself for so many years and seeing what level you can reach with so many musicians coming in, you pretty much have to.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0

Mack truckin’

Swizzymack
9 p.m. Friday 
Kamp’s Lounge 
1310 NW 25th St. 
lndrnrs.com 
819-6004 
$10-$15 

07/23/2014 | Comments 0

Chevy cruisin’

Chevy Woods with Kevin Gates & more
9 p.m. Sunday 
Vibe Night Club 
227 SW 25th St. 
$20-$40 

07/16/2014 | Comments 0

Rock steady

Tesla
7 p.m. Saturday
Frontier City
11501 N. Interstate 35 Service Road 
frontiercity.com
478-2140
Free with park admission 

07/16/2014 | Comments 0
Home · Articles · Reviews · Rock · Them Hounds — Them Hounds
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Them Hounds — Them Hounds


Zach Hale July 17th, 2013

If there’s one defining characteristic of modern blues rock, it’s that the songs often are constructed around the band’s instrumental strengths.

Given the parameters of what actually constitutes the blues, it’s easy to see why: There just aren’t that many variations of the genre’s 12-bar framework that retain that “bluesy feel.”

Instead, its divergences usually come in the form of vocal variance and guitar solos, and Them Hounds thrive within these confines.

Two things immediately jump out at you on the Oklahoma City quartet’s self-titled debut album: Erin Ames has a voice tailor-made for rock ’n’ roll and guitarist Michael Franklin sure can pound out a Zeppelin riff. These cats (er, hounds) know how to rock out, and they do so with regularity.

Opening track “Out the Window” unfurls in a way that embodies the very fiber of contemporary blues rock, mimicking some of its more illustrious mainstays (Wolfmother, Band of Skulls). “The Fix,” meanwhile, finds a staccato rhythm giving way to a soaring bridge/chorus release, a formula that’s successfully rocked arenas for decades.

That said, moments like these almost sound too easy for the band. You nearly wish Them Hounds would branch out to challenge themselves a bit more. Once the group frees itself from the limitations of genre, no telling how far it — and Ames’ howl — will go.

In this sense, Them Hounds is less of a career-defining statement and more a glimpse of potential — and boy, do they have lots of it. —Zach Hale


 
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