Saturday 19 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Pop. punk


NYC-based cyberpunks Pop. 1280 are inspired by all the bad music out there.

Joshua Boydston November 6th, 2013

Pop. 1280 with Esoterik and Weeping Martyr
8 p.m. Saturday
The Conservatory
8911 N. Western Ave.
conservatoryokc.com
607-4805
$8

Guitarist Ivan Lip and singer Chris Bug — the two figureheads behind New York act Pop. 1280 — formed a band for the right reason: They hated almost everything and everyone around them.

“We didn’t like many bands in New York City or in general, really,” Lip said. “There’s so many things going on, and everyone is in a band now. There’s a lot of stuff going on that seems pointless, and we were being subjected to it. It was kind of painful. That might be the biggest influence: all the bad stuff out there.

We thought we could do something that would at least be interesting and funny, as well as real, energetic and sad — everything wrapped up together.”

There’s a great deal of anger, angst and frustration behind the relentlessly loud and confrontational no-wave and post-hardcore songs Pop. 1280 has made its name with thus far. But to deride the guys as nihilist goths would be unfair; much satire bubbles below the surface, like Ministry meets Stephen Colbert.

“Life is kind of sick and dark, but it’s also kind of funny,” Lip said. “You can get freaked out by really heavy stuff and stuff that’s just weird that you have to laugh over and try not to get upset about.”

The four-piece found the perfect home in Sacred Bones Records (Zola Jesus, The Men), which embraced the outfit’s dark but humorous tunes found in its 2012 full-length debut, The Horror, and Pop. 1280’s latest, Imps of Perversion. The latter was recorded by legendary producer Martin Bisi (Sonic Youth, Swans) and hit shelves in August.

“Our instinct is to react against the things that came before us, and this record is kind of a reaction against the previous one,” Lip said. “The last record was purposefully rushed. It was improvised and blown-out by design to sound as shitty as possible. This one was not like that. It was much more written and toured-with prior, and it made for a more cohesive experience.”

The band is currently on a West Coast run, which includes Saturday’s stop at The Conservatory, in support of Imps of Perversion, which Lip is quick to state is Pop. 1280’s proudest effort to date.

“It sounds like a record, from the first chord through the last bit of feedback. It sounds like a complete statement where there’s sonic similarities and songs that reference each other,” he said. “I don’t like the term ‘schizophrenic,’ but some of our other records have been more over the place. This is something we hadn’t done before, and it just flows so well.”

 
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