Wednesday 16 Apr

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
Home · Articles · Music · Music · Words of a feather

Words of a feather

Whether by accident or design, sultry OKC outfit Feathered Rabbit recalls music of decades past.

Joshua Boydston February 5th, 2014

Feathered Rabbit with The Wurly Birds

9 p.m. Friday

Blue Note Lounge

2408 N. Robinson Ave.



Photo: Caitlin Lindsey

Feathered Rabbit’s sound hits you in waves. There’s the sultry lounge essence and smoky jazz groove, both wafting with a natural ease. That’s met with a wallop of punchy, gravelly blues and swampy psychedelia that swirl together in a patchwork of sound swatches belonging to a forgone era of American music.

Complex and layered, it feels like the result of pain-stricken attention to detail, laborious rehearsals and careful forethought. In reality, though, it’s anything but that for the Oklahoma indie outfit. The band might even call it a happy accident.

“We quit talking about stuff,” singer Morgan Hartman said. “We just act on it and use our intuition. Our music can feel hard to talk about because we almost feel like we are the medium and everything plays itself out.”

Indeed, the Feathered Rabbit you hear isn’t the one Hartman set out to create back when she approached Kyle Mayfield (Junebug Spade, Larry Chin), but they like the picture they are painting anyway.

Those early sessions were aimed at sunny acoustic pop not unlike Mayfield’s previous work in The Uglysuit, which organically gave way to a different kind of music than either necessarily expected. The addition of Isaiah Sharp (guitar) and Sam Welchel (drums) only stirred the pot.

“It was supposed to be folky. I was new to living on my own, and every thing was looking up,” Hartman said. “Pretty quickly, we went to a darker place. It’s not a settled matter even still. We’re still trying to hone in on exactly what kind of sound we want to have, but that’s working itself out as we continue to learn.”

Many acts aim for ’40s and ’50s romanticism and a sonic palate of the ’60s and ’70s, but few can execute with the authentic, effortless charm Feathered Rabbit can.

Hartman believes a childhood filled with oldies might have helped rein it all in so seamlessly.

“I’m a big nerd, always have been. I watched a lot of musicals and old movies, and that music seeped through it,” Hartman said. “My grandma is pretty much who raised me, and that’s what we had … but I loved it. It felt right to me, not a punishment in the least.”

Ten songs are written for the band’s first full-length album — which follows a well-received debut EP in 2012 — with just a couple songs left to finish before heading into the studio. It’s an exciting time for the band, and Hartman is positive that following those creative gut instincts leads into a stronger sense of identity.

“It will be far easier to control the outcome. We’ve been through a lot, and the songs will reflect that,” she said. “It’s been intense, and I want to make people feel what it feels like. That’s what I’m really hoping to accomplish with these songs.”

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