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Power Pyramid - The God Drums

Power Pyramid doesn’t have much patience for nonsense. That appears to be the takeaway from the Oklahoma City quintet’s last 10 months, which brought The God Drums in September, the Insomnia EP in January and its latest, self-titled effort in July.

07/29/2014 | Comments 0

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0
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Chicka-shades of greatness


Playing for unusually large crowds in its early days helped prep Chickasha’s Anti-Mortem for the hard-rock spotlight.

Joshua Boydston April 30th, 2014

Anti-Mortem with Everybody Panic!, Anialas and Killer Ghandi

7 p.m. Friday

Diamond Ballroom

8001 S. Eastern Ave.

diamondballroom.net

677-9169

$12-15

There’s no one way to DIY, but Oklahoma hard rock outfit Anti-Mortem found the most quintessentially Oklahoma way to throw its own shows in the earliest days of the band.

After blowing a few fuses in guitarist Zain Smith’s parents’ house during rehearsals, they were promptly moved to the old barn that his dad had previously used as an auto shop. It didn’t take many practices before someone suggested treating the barn as a makeshift concert venue. Soon after, Anti-Mortem was playing its very first live shows.

But these weren’t small, quiet gatherings of a handful of their closest friends. The shows were massive music parties that attracted hundreds of concertgoers with nothing but the promise of loud music and good times.

“That shows you all you need to know about Oklahoma,” singer Larado Romo said. “We had total strangers there, everyone from middle schoolers to middle-aged men. It was wild. Our very first shows were playing to several hundred people, so we never really had to worry about stage fright.”

It’s not often that you refer to a group of barely twenty-somethings as Oklahoma music scene veterans, but that’s exactly what the makeup of Anti-Mortem — Smith, Larado, brother and guitarist Nevada Romo, bassist Corey Henderson and drummer Levi Dickerson — are. Those barn gigs first started nearly a decade ago, Larado just barely a teenager and the rest not much older. The early start had its advantages.

The edgy outfit paid its dues just as most of its brethren are starting out. The guys are thoroughly enjoying the spoils of those long hours dedicated to refining their brand of metaltinted hard rock, mostly in the form of opening slots for bands like Black Label Society and Killswitch Engage, while a record deal for their debut album, New Southern, is being celebrated with Friday’s release show at Diamond Ballroom.

“It’s nice to be getting the payoff now — not when we are 30 or 40,” Larado said. “I might only be 20, but I feel like an old man, dude. We’ve been doing this for almost ten years, and we’ve put a lot of work into this.”

Anti-Mortem has the chance to become one of the few headliner-status hard-rock bands that Oklahoma has short of Hinder, and New Southern has the band primed for just that. Some finishing touches from sought-after modern-rock producer Bob Marlette (Rob Zombie, Seether, Filter) has helped the group find national radio play with its single “100% Pure American Rage.”

“We were stuck in our own sound,” Larado said. “And to have someone who was not us make suggestions, it really helped out a lot of the songs.”

More national tours, maybe even international, will follow New Southern’s release, as will an appearance at the United Kingdom’s Download Festival alongside the likes of Avenged Sevenfold and Linkin Park. And Anti-Mortem has barn parties in its native Chickasha to thank for all of it.

“I’d call it surreal, but we’ve worked a long time for this,” Larado said. “Everything we wanted to do on this record we did. It was a perfect representation of who we are, who we were and where we come from.”

 
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