Tuesday 22 Jul

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
Home · Articles · Music · Music · Ghosts of the past

Ghosts of the past

Sean Lennon and Charlotte Kemp Muhl would rather avoid the looming shadow of the past, but they’ll gladly revel in its sounds.

Kevin Pickard May 7th, 2014

The Ghost of a Saber Tooth Tiger with Broncho

8 p.m. Saturday

ACM@UCO Performance Lab

329 E. Sheridan Ave.




Let’s just get this over with: The Ghost of a Saber Tooth Tiger is the self-admittedly silly moniker under which Sean Lennon and model Charlotte Kemp Muhl play psychedelic, ’60s-throwback music. Yes, Sean Lennon is the son of John Lennon and Yoko Ono. Yes, his voice sounds like his father’s. And yes, people often compare the musical and relationship dynamics of Sean and Charlotte to John and Yoko.

Muhl and Lennon met at Coachella in 2004 and, before they began playing music, started sending each other letters while Lennon was on tour. That was how they fell in love.

Muhl had been playing the guitar and writing songs throughout her adolescence, some of which she ended up recording and releasing in 2012 with Eden Rice, her friend since childhood.

“Those were all very old songs from before I knew Sean,” Muhl said.

Once Muhl and Lennon had the opportunity to occupy the same physical space, music became a part of their relationship.

“It was mostly just acoustic guitars in bed in the beginning,” Muhl said. “I didn’t really get rock ’n’ roll. I wasn’t into loud drums or whatever. I was super white, super uptight and dorky. I was like a Shakespeare dork.”

They released an album of loud-drum averse music in 2010 called Acoustic Sessions. Muhl did, however, have an experience that helped her “get” rock ’n’ roll.

“It’s really cliché,” she said, “but about five years ago, I discovered marijuana and Pink Floyd.”

Muhl and Lennon were on tour in France and, during some downtime, were watching Echoes, the Pink Floyd concert film.

“I smoked my first joint and something just clicked in my brain, and there was no going back,” Muhl said. “Since that moment on, we’ve been writing psychedelic rock songs.”

She ran through a list of rare instruments used on Midnight Sun, the album they released on April 29, which included not only a Hammond B3 organ but also a calliope. Muhl described the instrument as “a giant, red circus organ from the 1800s, which is steampumped or air-pumped.”

In addition to their musical adventures, Muhl and Lennon have also used their mutual fame to speak out about environmental issues important to them. Lennon started the Artists Against Fracking coalition, which, according to Muhl, “managed to postpone the fracking of New York for a little while.”

“The problem is [oil companies] have so much money that they’re pumping into promoting it and brainwashing people into thinking it’s good that there’s almost no way to fight it,” Muhl said. “It’s a pretty daunting thing to fight. There’s so much power and money behind it.”

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