Wednesday 23 Jul
 
 

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
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California musical group present abrasive, invasive live show


Danny Marroquin July 24th, 2008

If there's an indicator that Internet buzz might not be the high road to success it's often hyped to be, look no further than Los Angeles noise-rockers Health. Health " with Gravity Propulsion Syste...

health_3

If there's an indicator that Internet buzz might not be the high road to success it's often hyped to be, look no further than Los Angeles noise-rockers Health.

Health " with Gravity Propulsion System and Memorize " will play Wednesday at 8 p.m. at The Conservatory, 8911 N. Western. Call 607-4805.

"We hadn't made a dime until February, so it's not like we have been living the dream off this music or anything," said bassist and band noisemaker John Famiglietti. "We are all homeless right now, by the way. No one lives anywhere. Right now we are back in L.A. and have no place to live. It's not like I got a fucking mansion. I'm living out of my car right now."

The music is as tough as the talk. Angular guitar work and primal beats drive the sound, providing grimy, no-wave angst for the group's self-titled album, which was released last September.   

'THE SMELL'
Homeless and hailing from L.A. means Health has no qualms performing in squalor. The drums carry the echo of a load of metal trash cans being released onto scummy streets. The band members said their favorite rehearsal space " dubbed "The Smell" " is a brick-fenced cellar wedged beneath a part of downtown that Famiglietti said would be impossible for anyone to report a noise violation from.         

"Good tunes come from places that suck," he said. "You go to the United Kingdom and it fucking sucks. That's why there's no good Spanish bands, because it's so awesome there."

Health's latest collection of songs, "Health//Disco, takes each abrasive garage-punk track on the first and remixes it for the new release. The band members hope the sonic diversity will help Health live up to its hype.

"We are all raised on these rock touchstones," Famiglietti said, before lamenting the current lack of dance-rock bands. "It had dried up. That's when we started thinking about that part of our culture."

For "Health//Disco," the group issued a disclaimer explaining the rationale of a remix album, hoping to make the album's intentions clear. With an Internet-based promotional octopus in mind, the disclaimer reveals a lack of critical muscle flexed by music writers when the subjects they cover work with words.

"With a remix record, what do you think? 'That's bullshit, that sucks,'" Famiglietti said. "Well, this doesn't suck. We actually want to do this. We always planned to put out this remix record." "Danny Marroquin

 
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