Wednesday 19 Jun
 
 

Kanye West — Yeezus

Try as you might, but there’s no escaping Kanye West. Turn on the TV, radio, computer — hell, take a stroll downtown and you might see his mug projected on the side of a building. It’s an undeniable fact of life in 2013: Kanye West is bigger than Buddha, Krishna and The Beatles (today, anyway) and he’ll be the first to let you know about it.
06/18/2013 | Comments 0

John Moreland — In the Throes

With the soul of a poet and the look of a Sons of Anarchy extra, Tulsa’s John Moreland has been gifted the sort of gravely, booming voice that does Bruce Springsteen proud and a similar understanding of the universal human experience. It’s made for some fantastic records — both as a solo artist and with his dissolved Black Gold Band — and In the Throes is his best yet.
06/19/2013 | Comments 0

Jumpship Astronaut — Lights Burn Out

Oklahoma has never been the haven for electronic rock music that it is for country, folk and, as of late, psychedelic pop, but from the sound of Lights Burn Out, Oklahoma City upstart Jumpship Astronaut seems intent on changing that.
06/12/2013 | Comments 0

Various artists — Reaching Out

Like so many Oklahomans, the local music scene has responded with generosity and grace in the wake of last month’s tragedy in Moore. In the weeks since, droves of local musicians have banded together for benefit concerts and radio marathons to raise funds for the relief effort, and with extraordinary results.
06/04/2013 | Comments 0

Progress in Color — Get Well

It’s been a long, bumpy ride for Glenpool’s Progress in Color, which saw a record deal with Epic evaporate before even one record could come of it, but it’s led the outfit to where it was supposed to be.
06/04/2013 | Comments 0
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Music

California musical group present abrasive, invasive live show


Danny Marroquin July 24th, 2008

If there's an indicator that Internet buzz might not be the high road to success it's often hyped to be, look no further than Los Angeles noise-rockers Health. Health " with Gravity Propulsion Syste...

health_3

If there's an indicator that Internet buzz might not be the high road to success it's often hyped to be, look no further than Los Angeles noise-rockers Health.

Health " with Gravity Propulsion System and Memorize " will play Wednesday at 8 p.m. at The Conservatory, 8911 N. Western. Call 607-4805.

"We hadn't made a dime until February, so it's not like we have been living the dream off this music or anything," said bassist and band noisemaker John Famiglietti. "We are all homeless right now, by the way. No one lives anywhere. Right now we are back in L.A. and have no place to live. It's not like I got a fucking mansion. I'm living out of my car right now."

The music is as tough as the talk. Angular guitar work and primal beats drive the sound, providing grimy, no-wave angst for the group's self-titled album, which was released last September.   

'THE SMELL'
Homeless and hailing from L.A. means Health has no qualms performing in squalor. The drums carry the echo of a load of metal trash cans being released onto scummy streets. The band members said their favorite rehearsal space " dubbed "The Smell" " is a brick-fenced cellar wedged beneath a part of downtown that Famiglietti said would be impossible for anyone to report a noise violation from.         

"Good tunes come from places that suck," he said. "You go to the United Kingdom and it fucking sucks. That's why there's no good Spanish bands, because it's so awesome there."

Health's latest collection of songs, "Health//Disco, takes each abrasive garage-punk track on the first and remixes it for the new release. The band members hope the sonic diversity will help Health live up to its hype.

"We are all raised on these rock touchstones," Famiglietti said, before lamenting the current lack of dance-rock bands. "It had dried up. That's when we started thinking about that part of our culture."

For "Health//Disco," the group issued a disclaimer explaining the rationale of a remix album, hoping to make the album's intentions clear. With an Internet-based promotional octopus in mind, the disclaimer reveals a lack of critical muscle flexed by music writers when the subjects they cover work with words.

"With a remix record, what do you think? 'That's bullshit, that sucks,'" Famiglietti said. "Well, this doesn't suck. We actually want to do this. We always planned to put out this remix record." "Danny Marroquin

 
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