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Kanye West — Yeezus

Try as you might, but there’s no escaping Kanye West. Turn on the TV, radio, computer — hell, take a stroll downtown and you might see his mug projected on the side of a building. It’s an undeniable fact of life in 2013: Kanye West is bigger than Buddha, Krishna and The Beatles (today, anyway) and he’ll be the first to let you know about it.
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John Moreland — In the Throes

With the soul of a poet and the look of a Sons of Anarchy extra, Tulsa’s John Moreland has been gifted the sort of gravely, booming voice that does Bruce Springsteen proud and a similar understanding of the universal human experience. It’s made for some fantastic records — both as a solo artist and with his dissolved Black Gold Band — and In the Throes is his best yet.
06/19/2013 | Comments 0

Jumpship Astronaut — Lights Burn Out

Oklahoma has never been the haven for electronic rock music that it is for country, folk and, as of late, psychedelic pop, but from the sound of Lights Burn Out, Oklahoma City upstart Jumpship Astronaut seems intent on changing that.
06/12/2013 | Comments 0

Various artists — Reaching Out

Like so many Oklahomans, the local music scene has responded with generosity and grace in the wake of last month’s tragedy in Moore. In the weeks since, droves of local musicians have banded together for benefit concerts and radio marathons to raise funds for the relief effort, and with extraordinary results.
06/04/2013 | Comments 0

Progress in Color — Get Well

It’s been a long, bumpy ride for Glenpool’s Progress in Color, which saw a record deal with Epic evaporate before even one record could come of it, but it’s led the outfit to where it was supposed to be.
06/04/2013 | Comments 0
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Home · Articles · Music · Music · Portland's Horse Feathers play...
Music

Portland's Horse Feathers play minimalist American


Lucas Ross August 7th, 2008

The Horse Feathers may tour with a saw player, but the chamber folk group is not likely to be mistaken for lumberjacks. Still, the act is undeniably effective in its ability to distill gorgeous songs ...

The Horse Feathers may tour with a saw player, but the chamber folk group is not likely to be mistaken for lumberjacks. Still, the act is undeniably effective in its ability to distill gorgeous songs from the emotional timbre, rustic atmosphere and sense of sorrow hidden deep within the forested landscapes of the Pacific Northwest.

Singer/songwriter and guitarist Justin Ringle founded Horse Feathers as a solo project after moving from Idaho to Portland, Ore., in 2004.

FELLOW PORTLAND TRANSPLANT
SOPHOMORE ALBUM
FILL OUT THE STAGE LINEUP

"I have always been influenced by place and geography," Ringle said. "I would not be the same person if I had come of age in California. It's really cliché to say, but in Portland, it's the rain and how it forces you to be introverted. In Idaho, it's the space and absolute absence of culture. Somewhere between those two examples, I think, is where playing music for me has really made sense."

FELLOW PORTLAND TRANSPLANT
It wasn't long before fellow Portland transplant and multi-instrumentalist Peter Broderick was inspired to contact Ringle after hearing the songwriter's demos. A serendipitous and collaborative partnership quickly formed, melding Ringle's melancholy tenor and finger-picked acoustics with Broderick's arsenal of instrumental talents into an impressive library of sparse, roots-folk tunes. Later, Broderick's sister, Heather, joined in with cello and added vocal layers that expanded Horse Feathers into a well-structured trio.

"I usually work on songs and ideas for a stint of time, sometimes as long as a year," Ringle explained. "By the time I'm feeling like I have the verse/chorus structure down, I would show the tune to Peter and Heather. Usually, I have the song pretty outlined in my head in terms of melody, general mood and lyrics. Peter and Heather's contributions would always just cement everything for me."

The trio released its debut album, "Words Are Dead," in 2006 to an enthusiastic response, which locked the group into a pony race with fellow equine-named act Band of Horses for the PLUG 2007 Independent Music Awards' Americana Album of the Year.

SOPHOMORE ALBUM
Horse Feathers lost that race, but stayed in the saddle, spending a year on tour and eventually inking a deal with Kill Rock Stars, a revered indie label from Olympia, Wash., that agreed to release the group's sophomore album.

"(Being on the label) has been an amazing experience thus far," Ringle said. "I feel so lucky to be a part of what they are doing especially coming from the Northwest. I still can't believe it when I go to the office and see some kind of relic or poster of Unwound or something like that."

Although the act has long celebrated an ever-changing roster with Ringle and Peter Broderick serving as constants, the partnership faced a significant snag last year.

"Peter moved to Denmark," Ringle said. "Then, around Christmas, he was back here in Portland and we worked in the studio together. Since then, he has had a knee injury and will most likely not be touring for some time."

FILL OUT THE STAGE LINEUP
Ringle said it was tough to find a replacement violin player for the band's live show, but Nathan Crockett, a family friend of the Brodericks, stepped in to help Horse Feathers fill out the stage lineup.

"(His) mother actually taught Peter and Heather how to play," Ringle said. "He actually plays the saw, too! So he's been a great addition."

Despite geographic difficulties, the group has written and recorded the material for "House with No Home," which will be released on Sept. 9. Although Ringle is clearly excited about the results, he considers the new disc to be a "transitional" work.

"'Words Are Dead' was a very honest and confessional record for me," he said, "whereas 'House with No Home' still touches on the same mood at times, it's not quite as literal in terms of how personal the content is. I stepped away from being too close to the songs. It got scary over a couple of tours to be that honest every night." "Lucas Ross

 
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