Friday 24 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

The Pleasure Kills set to blast with female-fronted New Wave


Lucas Ross August 21st, 2008

Just when you thought it was safe to go back to the mall, the Eighties are, like, totally back. Just look around: Elements of the Reagan era are popping up faster than you can say "voodoo economics," ...

Just when you thought it was safe to go back to the mall, the Eighties are, like, totally back. Just look around: Elements of the Reagan era are popping up faster than you can say "voodoo economics," and music most noticeably seems to be where the decade is being culturally mined.

FEMALE-FRONTED FIVE-PIECE
COUPLES COUNSELING CREDIT

If the threat of a looming New Kids on the Block reunion has you bunkering down inside of a cultural fallout shelter, San Francisco's The Pleasure Kills are certain to blast you out of hiding with power pop and punk that is, like, unabashedly fun.

"I had never even heard of power pop until (I read our first review)," said the group's lead singer, a former Oklahoma City resident who calls herself Lydiot. "I guess I always thought we were punk, but now I've come to realize we're something different."

Guitarist James Jameson said, "After we started going online and finding out about the bands we were being compared to is when we started hearing the term 'power pop.' I don't even know if we sound like those bands as much as they all sound like each other, but through that, we figured out we are power pop and we stuck with it. We couldn't make it as punks."

FEMALE-FRONTED FIVE-PIECE
Like Blondie, The Go-Go's and Joan Jett before them, The Pleasure Kills are a female-fronted five-piece that deliver a pop-perfect combination of bubblegum hooks and punk grit. Lydiot, for example, may appear to pack all the makings of a quintessential teenage fantasy pop queen, but underlying the sticky sweetness is an undeniable edginess. To borrow and paraphrase Bart Simpson's description of Milk Duds, The Pleasure Kills are "sweet on the outside, poison on the inside."

The daughter of a sushi chef,  Lydiot was introduced to her band mates outside of traditional band-breeding grounds. Instead of a garage or small club, the origins of The Pleasure Kills can be traced back to a sushi restaurant.

"I moved from OKC to the Bay Area off and on for about five or seven years," Lydiot said. "Me and (bassist) Adachi (aka A-Dutch) have been working in the sushi bar industry for a long time and James was a bartender. "

The group later found organist Jeffrey Ject through an Internet posting and soon began recording music together. The act released its first single, "Smash Up the Radio," last year and received accolades from a variety of indie pundits, airplay on numerous college radio stations, and a position in the Top 30 chart at the University of San Francisco's pioneering, student-run KUSF-FM.

COUPLES COUNSELING CREDIT
Although the group jokingly accredited couples counseling for helping the male musicians function better with their female lead, The Pleasure Kills are definitely working well together. With a debut full-length scheduled for release sometime in 2009, the band is set this month to release its second single, "Mission Boy." The group's Southwest tour brings it to The Conservatory on Sunday for its first OKC show.

"Nobody has fallen off the stage in four shows," James said, jokingly. "We try to have less cocktails before we go on and more cocktails after."

The Pleasure Kills seem so enthusiastic about playing in Lydiot's hometown, however, one anticipates that their stage safety record might be in danger. "Lucas Ross

 
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