Friday 18 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Music
 

Mama Sweet brings hip country/rock hybrid to Oklahoma City


Doug Hill August 28th, 2008

Although the Norman trio has been playing decidedly red dirt-flavored rock since 2003, Mama Sweet's signature sound might not be intentional.  "If you told our guitarist Alan Orebaugh we're a c...

Mama-Sweet-10-8x12

Although the Norman trio has been playing decidedly red dirt-flavored rock since 2003, Mama Sweet's signature sound might not be intentional. 

"If you told our guitarist Alan Orebaugh we're a country band, I don't think he'd agree," said Aron Holt, front man for the Norman-based band which also includes bassist Boyd Littell and drummer Giovanni Carnuccio.

Holt didn't: "I'm a singer/songwriter who gets to sing in a rock band," he said. "It'll always come out a little country because we grew up listening to that. Guess it was just inevitable."

One benefit of this amalgam is that the act's hard-to-categorize sound has attracted a wide variety of fans, eager to absorb its Oklahoman vibe " a sound so Sooner that it caught the ears of celebrated local "Okie Noodling" filmmaker Bradley Beesley, who last month tapped the group to provide live music for the film's accompanying annual hand-fishing tournament in Pauls Valley.

"He's our friend and asked us to help out. Normally there are more acts, but this year it was just us because Brad was debuting 'Okie Noodling II' at the tournament," Holt said.

Mama Sweet performed for a tournament crowd of 2,500 as the sun set. Then after a screening of the new documentary sequel, the band took the stage and rocked again.

SUMMER TOUR
The group spent the majority of its summer performing at festivals like the Illinois River Jam in Tahlequah, Tulsa's Dfest and others throughout the state " a progressively busy show schedule Holt said the band only recently was able to book.

"We've been trying to get on some of these bills for a long time," he said. "This year, things have really come together for us."

 From a small cadre of hard-core fans, Mama Sweet has steadily ascended the ranks, playing club shows from Austin, Texas, to Springfield, Mo.

"Once, we made the 12-hour round trip to Momo's (in Austin) for a 45-minute set that netted us 40 bucks," Holt said. "It's crazy, but I'd do it again because there are so many other bands that would play there for a 20-minute slot."

Mama Sweet's persistence and word-of-mouth marketing are netting success on red dirt Internet radio stations and record stores in Texas, Holt said, and the band has started work on a follow-up to "Welcome to the Well," its 2006 release.

"We're not that far along, but we're still selling the first one and don't want to get in a hurry," he said. "We may do an 11-song live EP to raise money for the next studio album." "Doug Hill

 
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