Saturday 25 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Country's Wade Bowen emerges from tough recording process


Bryan Mangieri April 26th, 2007

Wade Bowen's latest record didn't come easily for the Texas country music artist. He felt lost during the songwriting and recording process. "I went through a lot of stuff, recording th...

wadebowen

Wade Bowen's latest record didn't come easily for the Texas country music artist. He felt lost during the songwriting and recording process.

"I went through a lot of stuff, recording this record and writing it," he said. "I was going through a lot of different emotions and stuff. I think the overall theme is being lost, trying to find your way."

The record, "Lost Hotel," took nearly three years to complete. While recording, Bowen met his wife and eventually had a child. It had been five years since his last studio recording, "Try Not to Listen," and there was some anxiety about this latest release.

"I did get frustrated toward the end whether it was going to get finished or not," Bowen said. "I think it was worth the wait."

COUNTRY ROOTS
Despite the debt Bowen owes to rock music, he considers himself a country artist.

"My roots are heavily, heavily embedded in country music," he said. "I'm proud to carry the country music flag."

Of course, to achieve the goal of waving this flag while touring the country he must forfeit time with his family.

According to Bowen, he spends 200 days out of the year touring, which is hard on his family, but he said that he was lucky enough to marry a wife who understood the business and the sacrifice that comes along with it.

"I'm very lucky," he said. "Bryan Mangieri

 
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