Thursday 23 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Tulsa rockers mint straightforward, high-volume rock currency set for OKC circulation


Becky Carman January 22nd, 2009

Ask any veteran of Oklahoma's punk or hardcore scene about his influences, and you'd likely be able to predict an answer or two ... unless that particular veteran is John Moreland. Moreland, Wayne We...

john-moreland

Ask any veteran of Oklahoma's punk or hardcore scene about his influences, and you'd likely be able to predict an answer or two ... unless that particular veteran is John Moreland.

Moreland, Wayne Wedge, Nick Flores and Clay Flores " collectively Tulsa's The Black Gold Band " are breathing a little fresh, Midwestern, rock 'n' roll air into some of the danker establishments around the state.

"When I was little, my dad listened to John Mellencamp, Tom Petty, Neil Young and Waylon Jennings," Moreland said. "When I was 5 years old, I loved that stuff. Even when I was in really heavy bands, I was into Bruce Springsteen. I've always listened to stuff like this."

While it's unlikely The Boss would have frequented The Conservatory in his formative years, Moreland said The Black Gold Band is starting to enjoy its time in uncharted territory, although it hasn't always been so sweet. He admitted finding difficulties booking performances in venues more receptive to the band's predicted audience. The silver lining, then, is its diverse fan base " people whose exposure to the music has been a fluke.

"It was kind of hard. We just didn't know what we were supposed to do at first," Moreland said. "We didn't know if we should try to get shows with hardcore bands and play where we were comfortable. We tried to get shows at bars and stuff, like where bands like us would normally play, but we had a really hard time doing that. It's not like punk rock. You can't just go to a bar and say, 'Hey, give us a show.' It took us a while, but now we have a good medium between the two. A lot of people have liked us that really surprise me, that I thought were going to hate us."

RINGS TRUE
That rings especially true in the last year, as the title track from "Endless Oklahoma Sky" " the act's debut record " was a top-10 finalist in the Oklahoma Historical Society's official state rock song competition. No paltry feat, as Moreland's song was pitted against the likes of Leon Russell, Elvis Presley and Three Dog Night, in addition to more contemporary, major-label acts.

"It's really weird, and it's really cool, but at the same time, we're not putting too much stock in it," Moreland said, laughing, "because we're not going to win."

That sort of frankness lends itself to the band's songs. Moreland said he sees the correlation between the Americana rock of his childhood and the punk rock of his adolescence.

"I got into punk rock because it's the same kind of quality in the songwriting," he said. "It's just straight-ahead, good songs with no gimmicks, where the words actually mean something."

He and the band are currently working on the follow-up to "Endless Oklahoma Sky" with Stephen Egerton (of influential punk bands ALL and The Descendents) at Tulsa's Armstrong Recording. Moreland said the recording is going well, although the group has no cemented release date as of yet.

"It depends on when it gets finished," Moreland said, "and it's up to how much money we have, I guess." "Becky Carman

 
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