Friday 24 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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From Norman to NYC, Champian Fulton is back for a string of shows


Grant Slater July 30th, 2009

A good jazz singer is a luxury, like an extra olive in a vodka martini. It's an extravagance that only comes with a little seasoning and hours propped against or at the bench of a black Stein...

Champian-piano

A good jazz singer is a luxury, like an extra olive in a vodka martini.

It's an extravagance that only comes with a little seasoning and hours propped against or at the bench of a black Steinway. That's where Champian Fulton comes in.

The Norman native has been on a six-year sojourn through the jazz clubs of New York City, but this week, she returns to her home base in Bricktown for a series of low-key performances at two restaurants.

Those who venture to Maker's Cigar Bar & Lounge Friday, Saturday, or Tuesday can expect to hear a voice with more twang and dust than Fulton's 23 years would suggest. She holds forth with more dynamic thrust than the airy Sarah Vaughan and less smoky force than Nina Simone.

Above all, "expect it to swing," Fulton said. Her itinerary also includes an Aug. 7 show at Mickey Mantle's Steakhouse.

MODERN ITERATIONS
Fulton has brushed off some of the more modern iterations of jazz in recent years and has harkened back to Count Basie-ruled stage days.

"I like things that swing," she said. "I'm a bebopper at heart."

Her local dates will include mostly arrangements from her recently released "Sometimes I'm Happy," along with other standards.

Fulton has been playing music since she was 5 years old, under the watchful eye of her father, Stephen Fulton, a jazz trumpeter and drummer who will play alongside his daughter at these summer gigs. Monte Butts will join the duo on bass.

She led off her young career with performances under the summer sky at Norman's Jazz in June festival and other large music events across the country. In 2003, she played nearly every weekend at Maker's as she prepared for the move to New York City. Anxious to start her career as a full-time jazz singer, she completed her degree at SUNY-Purchase in just three years. She had already made her face known in the jazz scene as a student and parlayed that into a steady gig at legendary NYC jazz club Birdland when she graduated in 2006.

She played regular gigs with her New York trio at the club, named after Charlie "Bird" Parker, which inspired the eponymous Weather Report song. After closing down for years, the club reopened with a steep admission fee and steeper cocktail prices.

Fulton said Birdland provided a base and influence. She had the chance to brush shoulders with iconic jazz pianist Oscar Peterson and bassist Buster Williams, among others.

Eager to release an album in her first year after college, she took a shot leading an album with David Berger and the Sultans of Swing.

"I think New York sort of has a way of thinning the herd, because it's a very tough city and very hard," she said. "Being in New York has made me more assertive."

Champian Fulton performs at 9 p.m. Friday-Saturday and 8 p.m. Tuesday at Maker's Cigar Bar & Lounge. "Grant Slater

 
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