Saturday 19 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
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Designer makes for a colorful subject in 'Valentino: The Last Emperor'


Doug Bentin July 30th, 2009

Welcome to the world of haute couture, where grown men argue passionately about whether an overpriced dress looks more beautiful with 20 strips of sequin-laden material or with 18. Valentino Cle...

valentino

Welcome to the world of haute couture, where grown men argue passionately about whether an overpriced dress looks more beautiful with 20 strips of sequin-laden material or with 18. Valentino Clemente Ludovico Garavani, known to followers of fashion as just Valentino, opts for the lesser number, but becomes agitated when an associate prefers the greater. The designer becomes petulant and pouty at any suggestion.

Nothing has reminded me more of my working-class origins than watching the debut documentary by Matt Tyrnauer, "Valentino: The Last Emperor." With the Material Boy's recent retirement, the old days of fashion design ended. Everything's corporate now. Welcome to the 21st century.

The film follows Valentino through the process of creating a runway show. We aren't present at the creation of every new dress, just the one with the strips of sequins. Then, to honor his 45th year in the business, we watch as he and his partner, Giancarlo Giammetti, prepare a retrospective for Paris. Dozens of out-of-fashion fashions are draped around mannequins, which are then hung from the walls.

Celebrities like Elton John, Gwyneth Paltrow and even Michael Caine stroll along, ogling as if they were on a tour of the room in Bluebeard's castle with the bodies of his ex-wives. Perhaps the most honest is, of all people, Joan Collins. When asked by a reporter, "What's the difference between good style and trash?" she answers with a laugh, "I have no idea."

CAREFULLY CALCULATED
Valentino comes across as an interesting guy, within a very limited range. He doesn't seem to mind appearing on camera as childish and vain " "People have to be on their knees in front of me," he says at one point " but it's hard to tell if he is performing or playing it straight. When he's with his public, he stands and walks with his left hand in his pocket. It's very casual, in a carefully calculated way.

Much of the film will remind you of other things. The models on the runway are so flat-faced, you'll flashback to Robert Palmer music videos. Valentino in his prime looked remarkably like Frank Langella in his. The soundtrack is elevated by Nino Rota tunes " in fact, the whole thing is Fellini-esque.

I kept wondering WWBD " What Would Brüno Do? " but I guess that if thousands of people think high fashion design is significant, maybe it is. Valentino goes everywhere with a pack of pug dogs, and in one scene, he's fitting one with earrings, which I thought comes dangerously close to putting lipstick on a pig.

The 45th-anniversary celebration ended with models hoisted into the air and floating around, hit by red lights, in front of the Colosseum. Again, Fellini came to mind, and the statue of Jesus being airlifted over Rome in "La Dolce Vita." Except Fellini left an indelible image, and the swinging models are just pure kitsch.

The movie is never less than entertaining and is frequently informative, like a documentary about life in an alternative universe. Catch it Thursday through Sunday at the Oklahoma City Museum of Art.

Ciao, baby. Bellissimo. "Doug Bentin

 
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