Tuesday 22 Jul
 
 

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
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Thick with racial tension, shady dealings, urban gardeners fight for South Central plot


Joe Wertz September 17th, 2009

In 1992, to soothe tensions after riots induced by the Rodney King verdict, the city of Los Angeles sectioned off a 14-acre garden plot, hoping to sow seeds of community goodwill that would over...

thegarden

In 1992, to soothe tensions after riots induced by the Rodney King verdict, the city of Los Angeles sectioned off a 14-acre garden plot, hoping to sow seeds of community goodwill that would overgrow weeds of urban blight and anger.

In the decade after the garden was built, it blossomed at the hands of mostly Latino immigrants " dedicated citizens who transformed the South Central space into a fertile producer of vegetables and fruits for other low-income families.

The garden also served its original, ulterior function, acting as a catharsis and a rallying point for the community. But in 2004, when the city told gardeners they needed to vacate, it evolved from an earthy patch into a living illustration of the tangled roots of race, wealth and politics, and how identity and culture almost completely define our definitions of progress.

MESSY STORY
Documentary director Scott Hamilton Kennedy puts the camera at the center of the action, as convoluted as it is. "The Garden" depicts a messy story, one that involves property values, bureaucratic gatekeepers and supposed backdoor dealings with a land developer and a project protester " a Jew and a black activist, respectively " a relationship that directly injects race to the forefront of the South Central battle.

Kennedy doesn't work or fully vet every angle of the controversy, and it's obvious where he throws his cinematic support. Still, among the rash of recent films exploring sustainability, conservation and green activism, it's refreshing to see a story that's woven with real human conflict and issues that aren't conceived merely to philosophically "explore" the impact of man on the modern world with an act of cinematic masturbation.

"The Garden" screens 5:30 p.m. Saturday at the Oklahoma City Museum of Art during the "Sustainability of Film," a seven-movie program that runs today through Sunday.

The event kicks off at 7:30 p.m. tonight with a screening of "Fresh," a film that follows farmers and business leaders hoping to create a healthier and more sustainable model for distributing and selling food. A short film about backyard farming and local agriculture, directed by Oklahoma City filmmaker Stefanie Gowdy, will screen afterward.

A buzzed-about 2009 documentary, "No Impact Man," will show at 8 p.m. Sunday. The film follows writer Colin Beavan, who declares himself an environmentalist and sets to work giving nearly everything up; taxis, TV, store-bought food and the like for a year " a sort of reverse version of Morgan Spurlock's "Super Size Me."

A panel discussion will close out the "Sustainability on Film" series on Sunday, after the 2 p.m. screening of "Earth Days," a doc that tracks the modern environmental movement. Tapped to discuss the panel's question of "Sustainability in Oklahoma: Where Do We Go from Here?," is Bruce Edwards, with the Regional Food Bank of Oklahoma; Shauna Lawyer Struby of Sustainable OKC/Transition Town OKC; local architect Kenneth Fitzsimmons; Stephanie Jordan, chair of the Sierra Club's Cimarron Group Conservation Committee and co-chair of the local Buy Fresh Buy Local chapter; attorney Jim Roth, chair of the Alternative "Green" Energy practice group; and Jonathan Willner, an economics professor at Oklahoma City University. "Joe Wertz

 
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