Saturday 25 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

The Hold Steady gets personal in lyrics


Charles Martin June 7th, 2007

With little to no love from radio or television, Hold Steady cracked the charts at 124 with its latest album, "Boys and Girls in America." On this third disc, the self-described bar band ram...

holdsteady

With little to no love from radio or television, Hold Steady cracked the charts at 124 with its latest album, "Boys and Girls in America."

On this third disc, the self-described bar band rambles and soars through 11 tracks about drugs, infatuation and the complexities of young love.

"One thing I love about Craig (Finn)'s songs is you identify with them," said Tad Kubler, lead guitarist. "'I remember when that happened to me' or 'I know that guy.' Lyrically, the subject matter is very personal, so we tried to make the music more dynamic and personal to us."

CHANGES
Finn also wanted to change direction in his songwriting to move away from linear stories and concept albums. Meanwhile, Kubler wanted the group to expand as musicians.

 "As we starting writing songs, we wanted to try new things," he said. "We could do really big rock " we'd done that with the last one " so now we wanted something more dynamic and grow a lot on this record."

The Hold Steady manages to stand out, even in the congested New York market, where it's based.

"People got tired of music being about fashion and anything else but playing music and having fun together," Kubler said. "They have these weird, hip haircuts and none of them look like they're having fun." "Charles Martin

 
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