Tuesday 15 Apr

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
Home · Articles · Music · Music · Evangelion: 1.0' reboots '90s...

Evangelion: 1.0' reboots '90s Japanese TV series with symbolic imagery

Mike Robertson October 15th, 2009

Collectively, the Japanese imagination is pretty effing wild. Moving from the "Godzilla" movies to Hayao Miyazaki's crazy mind-scapes to the landmark "Ghost in the Shell" and cultural mashups li...

Collectively, the Japanese imagination is pretty effing wild. Moving from the "Godzilla" movies to Hayao Miyazaki's crazy mind-scapes to the landmark "Ghost in the Shell" and cultural mashups like "Cowboy Bebop," Japanese movies and TV shows exist in their own warped-mirror, pop-culture alternate universe.

"Evangelion: 1.0 You Are (Not) Alone" is a reboot of a popular '90s Japanese TV show in which a teen-aged boy is enlisted to join an elite group of humanoid-robot pilots. Shinji (voiced in the U.S. version by Spike Spencer, a Texan who has made a career voicing Japanese-to-English dubs) is summoned to Tokyo-3 by his father, Gendo (John Swasey, another dubbing regular), the commander of NERV, a secret underground organization created to protect the city from giant creatures called Angels.

Tokyo-3 is a kind of safe-haven fortress for mankind, with buildings that rise through the city's surface when it's safe and submerge again when Angels show up. What the Angels are, where they come from, why they want to destroy humanity and a lot of other background facts are not explained.

Shinji arrives in Tokyo-3 at the same time as a new Angel. He makes it to NERV's subterranean haven with the help of Misato (Allison Keith, ditto), one of Gendo's top people. Shinji is immediately commanded to pilot an Evangelion, a giant humanoid robot created to fight the Angels. With no briefing, no training and no idea what's going on at all, Shinji goes out to fight and immediately gets hurt.

This becomes the basic pattern of action: Shinji fights and then wakes up in the hospital. He gets better at piloting the robot and manages to win against one, but the pressure of defending all humankind from destruction begins to erode his emotional stability.

Eventually, an Angel shows up that can't be killed through close-quarters combat, and Misato comes up with a desperate, long-shot plan to take it out.

"Evangelion: 1.0" has a lot going on. It's full of symbolism " Christian and otherwise " and seems to be (partly) exploring the relationship between individualism and collectivism via themes of sacrifice and the father/son relationship. All Shinji seems to want is his father's approval, but Gendo's only expressed concern is keeping Tokyo-3 from being destroyed. He seems perfectly willing to let Shinji die if need be, and he treats the poor kid like he's just another replaceable part of the Evangelion he pilots.

"Evangelion: 1.0" is just the opening of a series which may include up to five installments. One would think there would be more background given, but the reasons for Tokyo-3 and the Angels are only hinted at in the dialogue. It's a bit disorienting at first, but "Evangelion: 1. 0" is highly entertaining nonetheless. Even though you likely won't know what the eff is going on at all, the animation is gorgeous, the characters are somewhat compelling, and the plot is packed with narrative movement and tension.

The film screens 8 p.m. Friday and Saturday at the Oklahoma City Museum of Art. "Mike Robertson

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