Friday 24 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Kevin Fowler prepares to hitch wagon to higher-horsepower help


Chris Parker November 19th, 2009

Things have come full-circle for country artist Kevin Fowler. When he was a young, long-haired shredder, he got a little taste of the big time, and its sour finish shaped his musical career. Now...

Things have come full-circle for country artist Kevin Fowler. When he was a young, long-haired shredder, he got a little taste of the big time, and its sour finish shaped his musical career. Now 17 years later, having built an audience from the ground up, he's ready to dip his toe in major-label waters again.

ALIEN
PARTY-STARTERS
FORMAL ANNOUNCEMENT

His story begins in Amarillo, Texas, where the child of Elvis Presley and Hank Williams fans discovered the six-string and used it like every teen does: to piss off his parents. Weaned on metal in the '80s, he left for California at age 20, where he spent a year at the Guitar Institute of Los Angeles.

"I went straight from Amarillo, Texas, to Hollywood," Fowler said. "I felt like I fell right off the turnip wagon. I'd never seen a pimp, a hooker, a homeless person ever before. You fall off the wagon, and it was a great life experience."

ALIEN
Feeling a bit like an alien, he moved to back to Texas, settling in Austin, and eventually joined hard rockers Dangerous Toys as a guitarist in 1992, then fresh off the album "Hellacious Acres." Although he was essentially a hired gun, he had the fortune to witness the fall when the record label dropped the group.

"They were all of a sudden out on their own, and we all went from riding in a tour bus to working in sub shops six months later. I really learned how treacherous the industry can really be," Fowler said.

He went on to start Southern hard-rock act Thunderfoot, and stepped out front. He'd never really wanted to be a singer, but the musician was tired of working with flaky vocalists or convincing others to record his songs. It was a great education, and set the stage for him to go it alone as a songwriter a few years later, turning to the country that fermenting inside him since his youth.

"When I started trying to build this thing, I said, 'Let's try to do it where it's all about fans, not about the label,'" Fowler said. "I'm really a rock singer, singing country songs. I took a lot of hints and all the rock guys I've ever played with."

PARTY-STARTERS
From the start, he showed a flair for down-home sentiments. The title track from his self-released 2000 debut, "Beer, Bait and Ammo," became something of a regional anthem, and he easily assumed the mantle of redneck poet. He loves a good foot-stomping paean to eternal verities, be it the twangy backwoods pride of "100% Texan," the laconic lament "J.O.B." or the honky-tonk mug-raiser "The Lord Loves the Drinkin' Man." He's also capable of amusing bluegrass-tinged party-starters like "Tall Drink of Water."

But the key to his success was forged on the road, where he reckons he's played around 3,500 shows since 1998. His sophomore release, "High on the Hog," was followed by a live album and he's worked the circuit, falling in with the burgeoning Texas country/red-dirt crowd, which broadened his reach.

"It's kind of melded where it's one big scene. And it's been awesome watching this thing grow," Fowler said.

For 2004's "Loose, Loud & Crazy," he began co-writing for the first time, and did even more for his latest release, 2007's "Bring It On." Although he was signed to his friend Clint Black's Equity label, Fowler said he was still doing most of the heavy lifting. When the imprint closed shop last year, he began to wonder if it might be time to hop on that major-label pony again.

"We've never been on a label that can do that much for us," he said. "We've been out there doing it on our own pretty much. Sometimes you get it built up to a point where you just can't go any further."

FORMAL ANNOUNCEMENT
While he wasn't able to share any details, Fowler expects to make a formal announcement soon, and really feels like next year will be a big one. The songwriter already scored a hit this year with the tune "Long Line of Losers" for Montgomery Gentry, and has written about 40 more from which to fashion the new record, which he expects will come out sometime next year.

"We've already test-marketed it; we know it works," he said of a potential wider release. "Now we just need to show it to more people."

Kevin Fowler with Kevin Pickett and Southern Rain perform at 8 p.m. Saturday at Wormy Dog Saloon, 311 E. Sheridan. "Chris Parker

 
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