Tuesday 22 Jul

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
Home · Articles · Music · Music · Local party rappers hope to form...

Local party rappers hope to form frenzied Freaksho fans

Charles Martin November 26th, 2009

Not every rapper is cut from the same mold and Waylon Clark " aka Daddy WarrBuckss " has taken one of the more unconventional routes to finding his flow in the Oklahoma City rap scene. The emcee...


Not every rapper is cut from the same mold and Waylon Clark " aka Daddy WarrBuckss " has taken one of the more unconventional routes to finding his flow in the Oklahoma City rap scene. The emcee's path began with a traveling troupe of bluegrass musicians.

"I grew up around music. My parents were in bluegrass, which is obviously another end of the spectrum, but my dad, my grandpa, my brother " they were all traveling while playing bluegrass music," Clark said. "That helped me because I have a wide spectrum of music I like, as well as understanding production and how to survive in the music industry."

Clark formed Freaksho with Chad Hoskins " aka DJ Sloppy " when he lived in Dallas. At first, the sole intention was to start a party rap group focused on having fun, regardless of where the members were playing or who might be in the crowd.

"Being at a show with a crowd that might not be used to hip-hop at that venue, they will still respond to it if it is fun," Hoskins said. "Even if hip-hop isn't your favorite type of music, you'll still enjoy the show because we do stupid stuff to keep it fun."

It's become expected within the greater hip-hop community for white rappers to downplay the novelty of their skin color in hopes of being taken seriously. Clark and Hoskins are a bit more comfortable with their paler appearance and say crowds have responded to Freaksho's indifferent demeanor and their appearance as goofy guys who just have fun onstage.

"We are definitely something different," Clark said. "It's not every day you see two guys that look like us breaking out a hip-hop show, but we can blend in with about any crowd. We could do music festivals no problem; it's just all about having fun."

When the group formed in Dallas, it was mostly just to play the occasional house party or rap battle. The act called it quits after the members finished college. But earlier this year, a promoter eager to fill out a concert lineup asked Freakshow to re-assemble for a reunion show. The gig went over so well that Freaksho began booking two to three shows a week, and recently entered the studio to record an album ahead of a West Coast tour slated for January.

While many rappers focus their energy on Internet promotion, Clark said he's taken a tip from his traveling bluegrass family and hopes to build a following through live performances wherever Freaksho can book a show.

"Hip-hop is one of the most popular music forms out there and is what most kids are listening to these days. It's what people our age grew up listening to," Clark said. "There really is no viable hip-hop scene in Oklahoma City, but there are plenty of people that want to see fun hip-hop, party music."

Freaksho with The Rumor perform at 10 p.m. Friday at VZD's Restaurant and Club, 4200 N. Western. "Charles Martin

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