Thursday 23 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Mooney Suzuki's live act reminds what rock can be


Charles Martin June 21st, 2007

New York's The Mooney Suzuki roars with high-energy, British-Invasion attitude " a hefty dose of The Kinks and The Rolling Stones with light brushes of contrasting acoustic roots. Th...

MooneySuzuki

New York's The Mooney Suzuki roars with high-energy, British-Invasion attitude " a hefty dose of The Kinks and The Rolling Stones with light brushes of contrasting acoustic roots.

The key to a great show, front man Sammy James Jr. said, is to live in the moment.

"You can't preplan it out," he said. "You might be at soundcheck, you'll look at something and say, 'It'd be cool to climb up that,' then you try it out and it's too wobbly. Then, you're playing the show and you find yourself climbing up it and hanging upside down."

CHANGE
James pines for the time when artists like The Rolling Stones and The Beatles could release three albums in a year, and the songs they were singing onstage were only a couple months old, rather than a couple years. But James hopes and doubts the system will be in place much longer with bands able to make singles immediately accessible via the Internet.

"No one that I know is making money off record sales unless they're on a major (label)," he said. "A format of 11-12 songs in 45 minutes is completely arbitrary if no one is buying them." "Charles Martin

 
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