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TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
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Former talent show TV star becomes Queen's lead singer, recreating the stage theatrics of legend


Rob Collins March 4th, 2010

One Night of Queen8 p.m. FridayRiverwind Casino1544 W. State Highway 9, Normanwww.riverwind.com322-6000$20-$30Twenty-five years before Lady Gaga, listeners heard "Radio Ga Ga" emanating from their spe...

QueenTribute
One Night of Queen
8 p.m. Friday
Riverwind Casino
1544 W. State Highway 9, Norman
www.riverwind.com
322-6000
$20-$30

Twenty-five years before Lady Gaga, listeners heard "Radio Ga Ga" emanating from their speakers. Many remember the song's video with scenes from Fritz Lang's "Metropolis," but audiences never heard Queen perform the hit live on American soil.

Queen's last Oklahoma City concert was in 1982, when the band played the Myriad during its "Hot Space" tour.

If you never saw the group perform live, Riverwind Casino hosts a Queen tribute band at 8 p.m. Friday.

One Night of Queen, headed by front man Gary Mullen performing as Freddie Mercury, is supported by The Works, a backing band named after the 1984 album that contained "Radio Ga Ga."

The tribute act borrows heavily from Queen's '80s-era performances, complete with a light show that emulates those used by the group from 1980 to 1986. One Night of Queen, which performed for 45,000 fans in September at Hyde Park in London, has shared the stage with Andrea Bocelli and Simply Red.

But the comparisons end there. The tribute band isn't as highly educated as the original Queen members, who boasted baccalaureates on their résumés.

"No, we don't have degrees" only from the University of Life, and the School of Hard Knocks," Mullen said.

Mullen, who won the grand final performing as Mercury on the British TV show "Stars in Their Eyes" in 2000, gigged for two years as a solo act with backing tracks before forming the band in 2002.

"It feels a lot more authentic having a real band," he said. "The dynamics are better, and you have other people to feed off onstage."

His improvisational performances uncannily mimic the live persona of Mercury, details that are accurate down to vocal runs and the occasional "day oh." Queen guitarist Brian May has said Mullen bears a remarkable resemblance to Freddie's stage presence and vocal style.

Tribute band guitarist Davie Brocket might not use a hand-built guitar like May, but he does play a genuine replica of May's famous "Red Special." And while Mullen doesn't tickle the ivories live like Mercury; musician Malcolm Gentle handles the keyboards. Bassist Billy Moffat and drummer Jonathan Evans round out the tribute act.

"We try to recreate the Queen sound as much as we can, so the synth sounds on certain songs have been recreated from original recordings, or from live shows," Mullen said.

He said "The Show Must Go On" is most challenging song to perform live. The final track from Queen's 1991 "Innuendo" album was released just six weeks before Mercury died at age 45 from bronchial pneumonia brought on by AIDS.

"(The song) has to be delivered with both power and emotion every night," Mullen said.
 
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