Tuesday 21 May
 
 

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0
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Folk rockers Shearwater find second time's a charm


Charles Martin June 28th, 2007

After recording songs for its critically lauded fourth LP, "Palo Santo," the Austin, Texas-based folk-rock band Shearwater toured extensively ... and noticed the songs began to change. They hope...

Shearwater

After recording songs for its critically lauded fourth LP, "Palo Santo," the Austin, Texas-based folk-rock band Shearwater toured extensively ... and noticed the songs began to change. They hoped re-recording five of the 11 tracks and re-issuing the album through Matador Records would reflect that.

"We'd played the songs a lot live, so we learned things we didn't know when we'd recorded them," said front man Jonathan Meiburg. "It was like going back in time, like getting a second chance at your senior (year) in high school. It's good to get to do it over again, but the downside is you have to go back to high school."

END RESULT
The result shows the maturing process of the band. Its members have benefited from the road and the new versions are much more brazen and full. The old versions sounded hollow and metallic, but after hundreds of passes at the songs while on the road, the numbers now bridle with energy and bluster. Although pleased with the final product, Meiburg wasn't convinced it was a good idea at first.

"It wasn't one big thing, but many small things that made us want to do this. I had to be talked into it. The rest of the band wanted to do it, so I acquiesced and now pretend it was my idea," he said. "Most of the songs are note-for-note the same, but they are more themselves. It's like when you get a haircut you really like: 'Oh, right, that's me.'" "Charles Martin

 
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