Saturday 26 Jul

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
Home · Articles · Music · Music · The Octopus Project return to...

The Octopus Project return to Norman Music Fest after playing massive festivals

Luke Atkinson April 22nd, 2010

The Octopus Project Midnight, Saturday, Opolis StageThe Octopus Project has seen its share of big venues. Over the past four years, the band has played some of the nation's biggest festivals, includin...

The Octopus Project
Midnight, Saturday, Opolis Stage

The Octopus Project has seen its share of big venues. Over the past four years, the band has played some of the nation's biggest festivals, including Lollapalooza, Austin City Limits and Coachella.

The Project began in 1999 with guitarist Josh Lambert, drummer Toto Miranda and friends at the University of Texas. The group blends elements of pop and electronics to create a unique sound their fans have dubbed "American indietronica."

"We try to expand the pallette of sound as much as we can," Miranda said about the act's use of unique instruments. "That's what were most excited about. We're trying to get the right sound and the widest range to do that. Electronics give us this opportunity."

The band incorporates nontraditional instruments like the glockenspiel and the theremin. The Project's third album, "Hello, Avalanche," uses the blips and bleeps of an electronic circus to entertain, distorted guitar in one ear and the tones of the theremin in the other.

"We're psyched to play the festival," Miranda said. "We love Norman and The Opolis." "Luke Atkinson
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