Tuesday 21 May
 
 

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0
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Music

'Sex and the City 2' ends up being not so sheik


Marjorie Baumgarten June 3rd, 2010

Like Carrie Bradshaw (Sarah Jessica Parker), who frets that the "sparkle" has gone out of her two-year marriage to Big (Chris Noth), "Sex and the City 2," based on the long-running HBO series, douses ...

Like Carrie Bradshaw (Sarah Jessica Parker), who frets that the "sparkle" has gone out of her two-year marriage to Big (Chris Noth), "Sex and the City 2," based on the long-running HBO series, douses whatever sparkle remains of these beloved characters.

True, three are now married, while the fourth, menopausal Samantha (Kim Cattrall), is now dubbed the Hormone Whisperer. But these life changes are no excuse to shunt the gals into a sparkle-free zone.

Writer/director Michael Patrick King piles on the lame puns and product mentions to the detriment of character and plot development. It may sound like a good idea to take the girls out of the city and plunk them down in Abu Dhabi, where the entire subject of sex is taboo. Yet the conflicts that arise are entirely predictable and highlight the obvious.

The opulence of their hotel in Abu Dhabi, where a sheik has offered Samantha and her gal pals an all-expenses-paid visit, takes their already over-the-top NYC lifestyles and spins them into the stratosphere. The luxurious lifestyle maintained by the ladies over the years, even at the expense of economic logic, might lose some of its fanciful illusion in light of America's economic downturn, and simply appear crass and insensitive to viewers.

Well, at least we still have the fabulous fashions to gaze at, right? Wrong. I don't know what happened to the taste of the characters or costume designer Patricia Field in the intervening years, but the clothes in this movie are no fun at all.

Scenes of Carrie back home with Big hashing out the emergent wrinkles in their relationship are interminably repetitive. In fact, the only scene that contains honest-sounding dialogue is one in which Miranda (Cynthia Nixon) and Charlotte (Kristin Davis) drink and confess their closeted feelings about motherhood. Maybe if the film were at least a half hour shorter, "Sex and the City 2" wouldn't feel as if it had overstayed its welcome. As is, however, the sands drip through its hourglass like Saharan sands though stilettos. "Marjorie Baumgarten
 
  • Currently 3.5/5 Stars.
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