Sunday 19 May
 
 

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0
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Music

'Mother' keeps the tone light while delivering a punch


Mike Robertson June 3rd, 2010

In "Mother," 20-something Yoon Do-joon (Bin Won) lives with his mom (Hye-ja Kim), still sharing a bed with her and allowing her to treat him like a boy. She watches Do-joon while she works, worries ab...

mother_7-06x4-69cm
In "Mother," 20-something Yoon Do-joon (Bin Won) lives with his mom (Hye-ja Kim), still sharing a bed with her and allowing her to treat him like a boy. She watches Do-joon while she works, worries about him when he isn't home, and has generally devoted her entire being to his well-being.

Unfortunately, Do-joon is kind of a blockhead. He can't remember what he's been doing from one day to the next, and he's prone to screwing up the simplest tasks.

So when hapless Do-joon is arrested for murdering a teenaged neighborhood girl named Moon Ah-jung (Mun-hee Nah), Mother goes into crisis mode. The police don't intend to investigate any further than Do-joon, and his lawyer's best suggestion is five years in a mental institution, so she takes it upon herself to investigate Moon's death.

As we follow her fact-finding mission around her South Korean town, we begin to see through her passive, affable exterior to a woman willing to do whatever it takes to prove her son's innocence. She first accuses his friend Jin-tae (Ku Jin), and when he's cleared, enlists him as a knuckle-breaker as she tries to squeeze information from local goons.

And that's only the beginning.

"Mother" is rare in that it can be incredibly visceral at times " it contains sex, murder, vomiting, amputation and a foot-induced toothectomy " and yet manages to retain a tonal lightness that keeps the subject matter from becoming too heavy.

The film screens Friday and Saturday at the Oklahoma City Museum of Art. "Mike Robertson
 
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