Sunday 20 Apr
 
 

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
Newsletter
Home · Articles · Music · Music · Diaz and Cruise trade toothy...
Music
 

Diaz and Cruise trade toothy smiles in 'Knight and Day,' a boring chase movie that's short on smirk


Joe Wertz July 1st, 2010

June Havens is typical in every way. A smoking-hot, blond car mechanic from Boston who's returning home with a suitcase filled with car parts, she finds herself " literally! " bumping in the same guy ...

2010_knight_and_day_001_7-06x5-43cm
June Havens is typical in every way. A smoking-hot, blond car mechanic from Boston who's returning home with a suitcase filled with car parts, she finds herself " literally! " bumping in the same guy over and over, in "Knight and Day."

There's little time in the Wichita, Kan. airport for Havens (Cameron Diaz, "Shrek Forever After") to chat with Roy Miller (Tom Cruise, "Valkyrie"), because she's in a hurry to get home in time for her sister's wedding. Miller was seen scoping out Havens at the airport, but we don't find out what his interest is until the two are airborne.

Spying on the two the whole time, a gaggle of black-suited agents led by Fitzgerald (Peter Sarsgaard, "An Education") and Director George (Viola Davis, "Law Abiding Citizen") observe the action through surveillance footage and intelligence assets they've directed to trail the pair.

In the mostly empty plane, Havens flirts with Miller, who is coolly standoffish at first, but finally relents. Returning from the bathroom, she finds him more open to her advances. She also finds that he's killed all the other passengers and both the pilot and co-pilot, but no worry: Miller also knows how to fly a plane.

Who is this guy? Miller insists he's a government agent protecting a high-tech item from falling into the wrong hands, be they international arms smugglers or U.S. agents who want to sell the tech on the black market.

Of course, Director George and Fitzgerald say Miller is an American agent who's gone rogue. Either way, Havens' little world has coincided with Miller's, and there's no separating the two until this thing is seen through, and the sought-after device and its geeky, eccentric inventor, Simon Feck (Paul Dano, "Where the Wild Things Are"), are safe.

What follows is an almost two-hour chase scene, where Havens' naivete makes every close call nearly disastrous. Thankfully, her awkwardness results in accidental bad-guy stabbings and shootings, and crazy, close-call driving antics.

"Knight and Day" is derivative, but it's not supposed to be clever or insightful. It's billed as a fun summer romp, but it's plodding and hackneyed. The film has Cruise and Diaz grinning from ear to ear, but there's not a single thing in between.

Sarsgaard is coolly creepy in his role as the shifty, untrustworthy heavy, but the only fun surprise in "Knight and Day" is Dano, who makes a hilarious savant with spotty facial hair.

This seems like an odd directorial choice for James Mangold ("3:10 to Yuma," "Walk the Line") until you realize that he also was responsible for "Kate & Leopold." "Joe Wertz
 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close