Tuesday 22 Jul
 
 

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
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With a gleaming second album, 'Illuminate,' indie rockers Lydia flare up for one final run


Chris Parker July 22nd, 2010

Lydiaballroom3-hr_7-06x10-90cm
Lydia with Deas Vail, Coney Island and Berkeley to DC
6:30 p.m. Thursday
The Conservatory
8911 N. Western
www.conservatoryokc.com
607-4805
$10 advance, $12 door

For Lydia, it ends not with a whimper, but an explosion. The pretty, atmospheric emo act from Arizona enjoyed a deliberate ascent that began with winning a national contest to appear on a music compilation alongside acts like Taking Back Sunday, Fall Out Boy and Death Cab for Cutie while the members were still in high school.

The band's second album, 2008's "Illuminate," was picked up for release by an imprint of Universal Motown, and last Tuesday, Lydia self-released its third " and now final " album, "Assailants."

It began with a partnership between singer/guitarist Leighton Antelman and guitarist Steve McGraw while they were still in junior high. The precocious tweens scored numerous gigs opening for local acts, and began touring as soon as they graduated high school in 2005.

"There were a couple of bands around Arizona that were going on tour, and it just looked like a good time," Antelman said. "So we literally hopped on the road and pretty much haven't stopped since."

With "Illuminate," McGraw and Antelman began writing all the music themselves instead of as a band. The tightened craftsmanship was readily apparent in music that swelled, swooned and drifted behind keyboardist Mindy White's backing coo. It's lingering music thick with moodiness like an overcast day over an angry sea.

However, the partnership between them began to crack. As they breached their early 20s, their musical tastes began moving in different directions, making work difficult.

"I don't want to say a struggle, but it was hard to get our two opposite tastes, at this point, together on the record," Antelman said. "He's kind of leaning more in the darker, minor (key) direction, and that's not where I wanted to take it, so it's just creative differences."

Two weeks ago, McGraw intended to join Lydia for its final run, but that changed early last week. In a post on the group's MySpace page, he announced his immediate departure:  "Irreconcilable differences between myself and remaining original members have resulted in thick tension at rehearsals," he wrote. "It was finally too small for the both of us, and someone had to go. I will miss performing these songs one more time in every city but ultimately my departure from the tour is the best for all involved, including you fans."

The band's first break came via a contest at the mall. Lydia's entry, appropriately titled "Smile, You Won," won, landing the act on a national compilation. It was priceless exposure for a high school band, leading to tours with Coheed & Cambria and Sum 41.

In 2005, after graduating, the band released its debut, "This December; It's One More Time and I'm Free." Six months after the release of the follow-up, "Illuminate," Universal signed the group and re-released the album.

But with the way the industry's been going, after paying for preproduction, the major label passed on "Assailants."

"They decided they didn't want to do the new record, which, if I can say it, was probably one of the best things that could've happened to me," Antelman said.

While McGraw finishes up his own new record, Antelman plans to return to Atlanta after the tour to record a as-yet-untitled new project, and then intends to persue a solo album. White, who left the band late last year, is also working on a new project, so on tour, Lydia is bringing along another keyboard player to pick up her parts and background vocals.

The thing Antelman will miss most, he says, is the fans.

"I've never seen people that passionate," he said. "I've never seen so many tattoos of shit I wrote on paper. Every show, there will be at least four people with a tattoo of some lyric or artwork or something. It's just unbelievable." "Chris Parker
 
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