Thursday 23 May
 
 

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0
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Music

Ted Leo and the Pharmacists experiment with a shaky foundation to cement the solid 'Brutalist Bricks'


Joe Wertz October 7th, 2010

Touring for the first time as a solo act, Leo remembers a show he booked "at a pizza place in Norman." It's probably good that he's forgotten the venue's name.

Ted_Leo_solo_Matias_Corral
Ted Leo and the Pharmacists with Kevin Seconds and Broncho
9 p.m. Wednesday
Opolis
113 N. Crawford, Norman
www.opolis.org
447-3417
$14, $16 under 21

Ted Leo spent the first half of the '90s fronting indie-punk and hard-core outfits like Chisel and Citizens Arrest. As the decade wound down, he started work on a solo side project, which eventually sailed under his own flag, Ted Leo and the Pharmacists.

Touring for the first time as a solo act, Leo remembers a show he booked "at a pizza place in Norman."

It's probably good that he's forgotten the venue's name.

Leo showed up with the two other groups he was touring with, but neither an audience nor a PA system ever showed up. The girl who booked the show was making frantic calls on a pay phone when the guy who was supposed to bring the sound system showed up. He didn't arrive for soundcheck; he came for an armful of pizzas to bring back to a house party, which was already raging with tunes supplied by the missing PA system.

"He was like, 'You guys can come play at my party if you want,'" Leo said. "I thought, 'You know what? I'm already too old for this. Fuck you and your party.'"

Ted Leo and the Pharmacists are back in Norman tonight for a 9 p.m. show at Opolis.

In March, the outfit released its sixth studio effort, "The Brutalist Bricks," which came together in the three-year album gap that followed "Living with the Living."

Leo said the band initially started recording many of the "Brutalist" songs for Touch and Go Records, which released the previous album. In 2009, the label downsized, leaving Leo and his fellow musicians caught in the flux.

"If we'd been recording at home, it wouldn't have been a big deal," Leo says, "but it started in a studio, so we kind of had to finish it there."

Neither Leo or any of his bandmates had enough money to finish the album on their own, so The Pharmacists concentrated on playing shows, which included performing many of the tracks in limbo. There, the songs evolved, Leo said, as the guys refined and "edited" the songs onstage.

"What we'd recorded in the past wasn't even an accurate depiction of the record at that point," Leo said, "so it just made sense to go in and do it again."

Despite the long, convoluted path from idea to album, "Brutalist Bricks" sounds more immediate and urgent than "Living with the Living." Combined with its bonus EP, "Mo' Living," that's roughly two dozen tracks, but it was "meant to be long," Leo said.

But the drawn-out writing, editing and arranging process, when combined with a relatively short, "hit-and-run" studio stint where they re-recorded the songs for Matador Records, "Brutalist" afforded The Pharmacists more time than usual to play and tinker.

"Even though this is a more concise album, it involved a little more experimentation," Leo said.

top photo/Matias Corral
bottom photo/Shawn Brackbill
 
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