Monday 28 Jul
 
 

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
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Music
 

Despite a shrinking industry and equipment attainable by amateurs, three local recording studios are expanding


Joe Wertz October 21st, 2010

Three metro-area recording studios buck trends and produce music

2.0 Studios, which he co-owns with Scott Garrod. Photo/Mark Hancock" style="float: right; margin: 10px;" longdesc="Brad Heinrichs sits behind a TAC Matchless console at Analog 2.0 Studios, which he co-owns with Scott Garrod. Photo/Mark Hancock" />Analog 2.0 Studios, Oklahoma City
Engineers: Brad Heinrichs and Scott Garrod

When Scott Garrod and Brad Heinrichs first started recording together, it was in a tiny project studio in the back of Garrod's house.

When seated behind the 36-channel TAC Matchless recording console, Heinrichs remembers being able to touch the back wall.

That entire studio could easily fit into the control room the pair now works from at Oklahoma City's Analog 2.0.

Set up inside an enormous warehouse not too far from the Chesapeake Energy campus, the new studio is half-finished. The main recording space is split into two separate buildings within the warehouse. The tracking and control room are completely separate, which keeps sound from bleeding or leaking out.

Scores of rooms and isolation booths are spread throughout the studio, and each is wired so musicians and instruments can be routed or linked to any other room in the building. One room is packed with three different models of Leslie speaker cabinets. Another is soundproofed and isolated to block out the mechanical noise of an Otari 2-inch tape deck. The control room is littered with guitars and amp heads; the tracking room with a Hammond organ and vintage Ludwig drums from the '60s.

"It's almost an overgrown adult playland," Heinrichs said.

In the '90s, Heinrichs was a guitarist/vocalist with Wakeland, a well-known Stillwater rock act that performed with The Verve Pipe, Goo Goo Dolls and Collective Soul, and had a multiple-album deal with Giant Records.

Heinrichs worked on a few albums with Garrod at his home studio, and even brought a few bands by to record.

"He had great gear, and he's always had a good ear, but that studio was really little," Heinrichs said.

Right now, Analog 2.0 is partially under construction as Garrod and Heinrichs finish work on a smaller B-room, which will be rentable at a discounted rate from the main room. The pair recently reached out to Chase Kerby, an ACM@UCO student who fronts Oklahoma City's The City Lives, to serve as chief engineer for the smaller room, which Garrod and Heinrichs hope will prove more accessible to younger, up-and-coming musicians.

"Right now, it's really friends or friends-of-friends," Heinrichs said about the studio's recent clientele, which includes singer/songwriters Stoney LaRue, Bo Phillips, Tulsa rocker Philip Zoellner and Cody Canada of Cross Canadian Ragweed.

"But we're working hard to get this place finished," he said. "What we're really going for, hopefully, is a hub for local musicians. Musicians of all kinds and levels who feel comfortable coming here to record and interact
 
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