Wednesday 23 Apr
 
 

IndianGiver - Understudies

There’s a difference between being derivative and being inspired by something, a line a lot of artists can’t seem to find — or at least don’t care to.
04/22/2014 | Comments 0

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0
Newsletter
Home · Articles · Music · Music · Portland indie-punkers The...
Music
 

Portland indie-punkers The Thermals warm hearts with 'Personal Life,' an album that swells and sputters like love


Chris Parker October 21st, 2010

Complexity's overrated. That's one of the guiding principles for The Thermals.

thermalapple_7-06x4-69cm
The Thermals with Coathangers
9 p.m. Monday
Opolis
113 N. Crawford, Norman
www.opolis.org
447-3417
$10 advance, $12 door
$12 advance, $14 door under 21

Complexity's overrated. That's one of the guiding principles for The Thermals.

The Portland, Ore., trio's five full-length albums are characterized by propulsive, straightforward lo-fi rock with a strong punk undercurrent and perceptive lyrics. Too loud to be called minimal, their music is grimy, but never sloppy.

"A lot of my favorite songs are super-simple, with three chords and simple drum beat," said bassist Kathy Foster. "It's like those songs are the most fun to dance and sing along to."

The Thermals were formed in 2002 by Foster and Hutch Harris. The two met in San Francisco in their teens, and eventually started the band Haelah, which started as a kind of stoner-rock band before morphing into the folk-pop duo Hutch & Kathy. After recording an acoustic pop album under the new name, Harris retreated into the studio to indulge a different side of his personality.

"He kind of wanted to make some songs really fast. A lot of the songs were written and recorded within a day or two, just spouting it out, and not thinking about it," Foster said.

Although the chunky throb is the first thing to catch your attention, Harris' canny writing is a galvanizing force. The trio's first two albums bristle with brash anthems, and the band followed with 2006's breakout, "The Body, The Blood, The Machine." It landed on many critics' year-end lists, and graduated The Thermals from cult fave to underground sensation.

For its latest, "Personal Life," The Thermals took on the subject of love.

"It's not so much a story, but the whole thing is within the theme and has a kind of arc to it as this kind of failing relationship," Foster said.

While the last two discs were written and recorded as a duo, with Foster playing both bass and drums, the new album benefits from the arrival of drummer Westin Glass, who encouraged more of a live writing process. The rhythm section drives the group's new songs. It's a subtle, but undeniable difference.

"You don't feel like anything's missing, but we don't feel like we all have to be playing the same thing for it to sound full," Foster said.

While The Thermals remain their main project, both Foster and Harris have been working on solo stuff for the past year. She played some solo shows over the summer on electric guitar backed by four-track recordings of her on other instruments.

Harris hasn't taken the stage solo, but did enter the studio to record four songs for a new project called Forbidden Friends, which Foster said will feature her and Glass performing backing tracks.

"We just like to try different things musically that excite us and hope that people like it, and that we continue to grow and not be tied to one sound coming from us," she said. "Chris Parker
 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close