Tuesday 22 Jul
 
 

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
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Home · Articles · Music · Music · Daniel Hunter buries a bummer...
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Daniel Hunter buries a bummer adolescence to find happiness in an Analog Rebellion


Chris Parker November 4th, 2010

People change, often dramatically, yet when it comes to musicians, we tend to expect a consistency that's simply not realistic.

byKolbySchnelli_7-06x10-58cm
Analog Rebellion with The Appleseed Cast
9 p.m. Sunday
Opolis
113 N. Crawford, Norman
www.starlightmints.com/opolis.html
447-3417
$10-$12

People change, often dramatically, yet when it comes to musicians, we tend to expect a consistency that's simply not realistic, particularly of someone who began making music while still a teen.

After growing older and putting distance between the traumatic events that first drew him to music, Dallas singer/songwriter Daniel Hunter ditched the PlayRadioPlay! moniker that graced his first releases and re-christened his efforts as Analog Rebellion late last year.

While Hunter still draws on some of the same influences that energized the layered, upbeat, emo-tinged electro-pop of PlayRadioPlay!, the change feels appropriate, given his more varied sonic approach and darker lyrical spirit.

Since the change, he's enrolled in University of Texas at Arlington and cut back on the touring, although he'll play Sunday night at Norman's Opolis. Conversely, he's increased his output; since January, Hunter has released two full-length albums and two EPs, with another on the way.

In August , he released a disc of more-or-less acoustic tracks recorded on his iPhone.

"It's funny, because a lot of the stuff I recorded on the iPhone was higher-fidelity than stuff I record on my computer, which I make lo-fi by running it through shit to make it sound weird. It's pretty crazy how good the built-in microphone on the most common cell phone is these days," he said.

His upcoming EP, "Evaders," was recorded in a living room with one take. He described it as "really heavy and loud and Wall of Sound-ish."

Not only his sound has undergone a change, but the way he approaches songwriting. When Hunter first got into music, he'd been a pretty talented baseball player, but chucked it all after his dad's death. He joined a high school band and slipped into self-medicating with drugs and alcohol.

After going to rehab at 14, he quit the band, distanced himself from friends, and started recording music in his bedroom. That would become PlayRadioPlay!, which somehow took off on MySpace, eventually sparking a label bidding war. The resulting 2008 album, "Texas," broke into the Billboard Top 200, but he left Island Records four months later.  

Despite his tumultuous teenage life, most of the PlayRadioPlay! catalog of that time was positive, hopeful and exultant. Since then, Hunter, now 20, has openly explored his dark side.

"I actually feel like now I'm such a happier person than when I was making PlayRadioPlay! music, but that's maybe the product of me getting the bitterness out in music, rather than holding it in and pretending that everything is wonderful and beautiful or something," he said.
 
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