Thursday 31 Jul
 
 

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday

Opolis

113 N. Crawford Ave., Norman

opolis.org

447-3417

$7

07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.

bluedoorokc.com

524-0738

$15

07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0
Home · Articles · Reviews · Country · Hayden Miller' Self-titled
Country
 

Hayden Miller' Self-titled


None August 19th, 2010

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Muskogee-born Hayden Miller's self-titled debut is an earnest effort, but it's not sincere enough to be completely heartfelt, nor rowdy enough to be a real barnstormer.

Musically, the 11-song country release is fine, although not particularly noteworthy. There's Dobro, fiddle and pedal steel aplenty, but none of it proves interesting enough to draw attention from the disc's biggest distraction: abysmal songwriting.

"Hole in My Soul" is a disappointing crooner that rhymes simplistic: time/lines, door/more, well/tell and so forth. "Can't Give Up" is more of the same, only with piano. "Cigarette Ashes" is the album's high-water mark, a jittery country shuffle that's more of the rural fun that Miller's probably very familiar with. Instrumentally, this song is perky and interesting, and features players picking, sliding, sticking and trading competent studio licks.

"Time of Day" is a conceptual and lyrical disaster. The premise is universal: ham-handed good ol' boy throws back a few too many, loses out on a bar floozy, reflects on his life so far. Miller should never have "opened his mouth and let that redneck just pour on out."

"The way your G-string crept up from out your pants just below your tramp-stamp tattoo / Hell, honey, I didn't mean to stare, but I'm just a man. What did you expect me to do?" he inquisitively bellows. "It ain't right for you to waltz in here and strut around like you're showing off a brand new dime / Oh, but ain't it just my luck after a couple beers, well, it happens to me every time."

Either Miller isn't much of a songwriter, or his life isn't interesting enough to sing about. Of course, some of the best country musicians have made decades of relating other people's stories and struggles, so self-reflection isn't essential to his chosen form. Maybe he'd be better served tackling a subject other than himself.

The album is available as a $13.99 CD or a $9.99 digital download. For more information, visit www.haydenmillermusic.com. "”Joe Wertz
 
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