Wednesday 30 Jul
 
 

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday

Opolis

113 N. Crawford Ave., Norman

opolis.org

447-3417

$7

07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.

bluedoorokc.com

524-0738

$15

07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Friday-Saturday
Downtown Tulsa 
centeroftheuniversefestival.com 
$35-$50 

07/22/2014 | Comments 0
Home · Articles · Reviews · Jazz · Maurice Johnson - Tonight
Jazz
 

Maurice Johnson - Tonight


None February 25th, 2010

maurice
Maurice Johnson's debut, "Tonight," is contemporary jazz at its epitome. Although most of the album is neither truly inventive nor groundbreaking, his stylings are certainly worthy of a thorough listen, even if the offering isn't enough for much more than that.

A veteran guitarist, Johnson formed Oklahoma's popular After Five Jazz Band in 1985 and released one CD with the group, "Expressions," in 1992.

His solo effort, released in January by Oklahoma City's Jazz Drops Records, is a mix of his creation, barring one track co-written by fellow smooth-jazz musician Gary Fuston. Johnson is clearly a master at musical arrangement and rhythm, as each "Tonight" track flows smoothly into the next, leaving the impression of a single, hour-long piece, rather than 12 distinct songs.

Most notable is "It Must've Been a Dream," a Bob Marley-esque take on the jazz genre. The steady, easy beats and Johnson's steely guitar cut a clean break in an otherwise even set. "Not Lately" is a random, semi-danceable track, although its grooviness is probably more suited to the likes of a 60/40 bar than a hip-hop club or jazz lounge.

Johnson seems to be simply reinventing' or rather, duplicating' the wheel with the debut. "Tonight" is a bit formulaic and a little dusty, but the album certainly deserves attention for its clean, concise arrangement. His talent as a musician is undeniable, but his abilities as an innovator leave much to be desired.

For more information, visit www.jazzdrops.com. "”Emily Hopkins

 
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