Tuesday 18 Jun
 
 

New Zoo revue

As the bitter battle over management of the Zoo Amphitheatre played out in public last summer, Oklahoma City music fans may have worried whether the outdoor venue at 2011 N.E. 50th would be open for business this summer.
06/12/2013 | Comments 0

Howard stern

Music always has been in Howard Pollack’s blood — maybe not onstage, but definitely behind the scenes.
06/12/2013 | Comments 0

Graves encounters

Shakey Graves with Wild Child and Marmalakes
10:30 p.m. Thursday
The Blue Door
2805 N. McKinley
bluedoorokc.com
524-0738
$15
06/12/2013 | Comments 0

Vulgar incident

Vulgar Fashion with Depth & Current and Quilted Cherry Podium
8 p.m. Friday
Opolis
113 N. Crawford, Norman
opolis.org
820-0951
free
06/12/2013 | Comments 0

Music Made Me: Laura Leighe

Boyz II Men, II (1994)
I believe this was the first CD that I bought with my own allowance at Duncan’s local music store. It’s another really fun, soulful album — vocally, harmonically, musically outstanding. I remember lying on my bedroom floor and studying the lyrics, mesmerized for hours. I loved the singles, but my favorites were the opening track, “Thank You,” and the last track, their gorgeous, soul-grabbing rendition of The Beatles’ “Yesterday.” I was just learning about harmony at the time, and loved listening to their rich, thick, beautiful sound.
06/11/2013 | Comments 0
Home · Articles · CDs · Rock · Hush Hush, Commotion - In Control
Rock

Hush Hush, Commotion - In Control


None September 10th, 2009

Local indie-poppers Hush Hush, Commotion have not-so-quietly snuck up on an sound that's unapologetically lighthearted and fun. In mid-August, the Oklahoma City band' singer Scott Michael, guitarist Andy Adamson, keyboardist/guitar player Chris Lusk, bassist Daniel Adamson and drummer Adam Wilkey' released "In Control," a five-song EP that serves up a tasty snack tray of rock songs that never completely fill the mouth, but make you hunger for a full course.


Stripped to its rhythm, each track has a classic rock skeleton with snappy drums, catchy lyrics and a framework of open guitar strumming and chugging. But for "In Control," the detail is in the devils. Scott Michael isn't a tortured soul; he's a snide one. On "Make Me Shine," he cedes control to an instinctual force that makes him say and do things he probably shouldn't, confessing: "This demon makes me speak / The words that I can't say / He thinks for me."


Resigned, it's clear that Michael really doesn't mind wrecking hearts and lives' actually, he seems to enjoy it: "I'll get the best of you / I'll play you for a fool / I'll make you see that they love you because of me." Adamson's perky pianos pepper "Dead Wrong," which was laid to tape atop a sawtooth synth bed

 
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