Wednesday 30 Jul

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday


113 N. Crawford Ave., Norman



07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.



07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Downtown Tulsa 

07/22/2014 | Comments 0
Home · Articles · Reviews · Pop · Motown Blood - Lady Rock and...

Motown Blood - Lady Rock and Roll's Gentlemen Callers

None February 4th, 2010

With its full-length debut, "Lady Rock and Roll's Gentlemen Callers," Oklahoma City trio Motown Blood establishes a name for itself as the band that sounds like ... that one band.

The 13-track CD stays true to its creators' namesake, keeping with call-and-response singing and the guitar- and drum-driven antics of '50s Motown classics. But what the band' namely, guitarist, lead singer and sole songwriter Chris Barrett' fails to accomplish is a sound unique from that of its well-worn influences.

The first beats and chords of "My Good Side" are essentially the intro to The Romantics' "What I Like About You," and while Barrett did replace the Detroit icon's infamous "uh-huh" with a more articulate "all right," the effect is, shockingly, largely the same. Throw in a melody that could be a twin of The Beatles' "Twist and Shout," you've got a wunderkind cover band.
What Motown Blood lacks in originality, it makes up for with an amazing ability to repeat numerous three- and four-word phrases.

By the penultimate "Down by the Water," the musical tank is running out of gas. The not-quite-two-minute track opens with a chanting repetition of the title phrase, trips to a cheery, rhyming bridge, and cuts to a snappy guitar solo before it retreats again to the iteration of its title. Repeat times three.

While Motown Blood brings in some vaguely imaginative flair on "Only a Bitch" and "She Thinks She's Lucky," the overall aftertaste of the trio's inaugural effort is that of week-old cake: aesthetically appealing, yet tritely stale when dished.

For more information, visit'Emily Hopkins

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